In western music history books of the 20th century, German romanticism composer R · Strauss' didn't get high evaluation and usually had mixed reception.
20世纪的西方音乐史著作中，对德国晚期浪漫主义作曲家R·施特劳斯的音乐作品评价多半不高，常常毁誉参半，甚至贬多于褒。
In fact, classical music are in difficult development of today, R · Strauss' music can acquire its position on the market and his composition are still very popular.
这些评价合理与否姑且不论，但事实上，在古典音乐步履为艰的今天，R·施特劳斯音乐却在市场站稳脚跟，成为最常上演的作品之一。
We can find the idea of R · Strauss' music ran before his times if we use culture research angle to study his music.
从文化研究的视角对R·施特劳斯的音乐进行分析研究，会发现R·施特劳斯音乐中反映的观念超前于他的时代。
R. Strauss: Concerto for Horn and Orchestra No. 1 in E-flat major, Op. 11.
理查·史特·劳斯：降e大调第一号法国号协奏曲，作品11。
R. Strauss: Concerto for Horn and Orchestra No. 1 in E-flat major, Op. 11.
理查·史特·劳斯：降e大调第一号法国号协奏曲，作品11。
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