This paper tries to engage in the field of Yuhua's space narrative arts from the Angle of the narration.
本文试图从叙述学的角度，探求余华小说空间叙事艺术的特点。
Space narrative, a narrative techniques and narrative strategies in Western films have been widely used.
空间叙事作为一种叙事技巧和叙事策略在中西电影中已经得到了广泛的运用。
Sixth generation of Chinese film that is also no lack of new generation of film directors try to space narrative.
中国第六代电影即新生代电影导演也不乏对于空间叙事的尝试。
Our study results demonstrate that the assimilation of a narrative allows us to feel close to others in the comfort of our own space and at our own convenience.
我们的调查结果证明，故事的同化性给予我们一个与另一个世界亲近的契机，我们可以借机随心所欲地丰富自己的世界。
The modeling styles of orthodox academic school steadfastly construct the narrative space.
正统学院派的造型形式，沉稳地构架起叙事空间场景。
Nolan exemplifies the best kind of filmmaking, unchained from the laws of time, space and even gravity, but never from the most basic rules of narrative.
诺兰凭本片为电影制作树立了最佳典范：既从时间、空间，乃至万有引力的自然法则中跳脱而出，又从未偏离基本的叙事法则。
Without the centering hold of a narrative, everything in a hypertext network seems to have equal weight and appears to be the same wherever you go, as if the space were a suburban sprawl.
超文本网络没有掌控叙事的核心，其间所有事物好像都不分主次，处处显得大同小异，这个空间仿佛是乏味杂乱的区域。
Today’s reality, much larger but vastly more fractured, says Mr Aimard, has little space for the monolithic grand narrative.
艾马尔认为今天的真相范围更广，却更加支离破碎，没有给长篇叙事留下喘息的空间。
The astronaut gave a narrative of her strange experience in space.
宇航员讲述了自己在太空的奇妙经历。
In Western narrative literature, there exist two traditional narrative models: linear structure and space structure.
在西方的叙事文学中，存在两种传统的叙事结构模式：线形结构和空间结构。
Obviously, the narration in space not only is a narrative method but also a narrative tactics.
显然，空间化的叙述，既是一种叙述手段，更是一种叙述策略。
First of all, it is to break the narrative approach according to the sequence of external space and time, to explore the narrative approach that based on figures 'psychology.
首先是打破按照外在空间时间次序叙事的方法，探索依据人物心理时间安排叙事。
In his novels of the real concept, space-time setting, narrative and structural techniques, he has unique insights.
他在小说的真实观、时空设置、叙事和结构技巧等方面有独到的见解。
But the possibility rather than the non-inevitable narration of saving, not only returns to original morals, but also opens up the contemporary narrative art space.
而对拯救可能性而非必然性的叙述，在还原道德真实的同时，还拓宽了当代有关道德叙事的艺术空间。
The spacial narrative structure mainly discusses the different space model in "City in Border"and "The Long River".
“空间的叙事结构”主要分析了《边城》和《长河》两种不同的空间结构模式。
In addition to the story plot and the characters 'words, the narrative space is also closely related to the silent picture of invisible but powerful God's will.
除了故事情节以及人物对白之外，与叙事密切相关的空间也在无声地描绘着那隐形而又强大的神的旨意。
The narrative character of novels is similar to that of a drama in many aspects of time, space, narration, effects and so on.
小说的叙事性与戏剧的叙事性在时间、空间、叙述、效果等方面有许多相同点。
Movie time and space as an integrated art, narrative art in the film not only time is a very important factor for the same space is a particularly important factor in narrative form.
电影作为时间和空间综合艺术，在电影艺术的叙述中不仅时间是一个非常重要的构成因素，同样空间也是一个特别重要的叙事构成因素。
This involves the space in the narrative of the specific role of the.
这就涉及到空间在叙事中的具体作用了。
We can clearly see the features how the writers set the fate of protagonists and narrative character from their master of time and space consciousness.
从时空意识的掌握中我们可以清楚地看到作家在时空的转换中对主人公命运的安排与叙事语言的特色。
As time and space are key elements in the narrative of novels, the means of handling time and space adopted by writers often mirror their specific views on life and aesthetic interest.
时间和空间是小说叙事的重要元素，作家对时空的处理方式背后隐着其特定的人生观念和审美趣味。
There are four key points: the arrangement of point of view, there is narrative circular structure, interveined and leaping narrative space and time, the choice of narrative images.
主要从四个方面展开：叙事视角的安排，有故事性的圆形结构，交错而跳跃的叙事时空，叙事意象的选择。
Change shape in space past the selection and processing methods, the practice of bold vision of space involved in the narrative.
在空间造型上改变了以往的选择和处理方法，大胆的实践空间参与叙事的设想。
Chinese film caused the lack of narrative art space, so visual arts space in the film did not play in expression.
造成了中国电影艺术的空间叙事的缺失，使其电影艺术没能发挥空间在电影中的表现力。
Based on stylistics, esthetic theory and metropolis culture, this paper, guided by narratology, mainly researches on the application of techniques of narrative time and space.
本文以叙事学理论为指导，在文体学、审美理论、都市文化研究等的基础上，着重探究张爱玲特殊的时空观念及小说的叙事时间与叙事空间的运用技巧。
Therefore, "Narrative Space" as the narrative of the film opened a new horizon.
因此“空间叙事”为电影叙事研究打开了一个崭新的视野。
In this sense, the fifth generation of filmmakers began to break past the time attached to literary and artistic narrative mode, opening up space in the narrative film narrative dimension.
从这个意义上说，第五代电影创作者开始打破以往依附于文学艺术的时间叙事模式，开辟电影叙事中的空间叙事的维度。
In this sense, the fifth generation of filmmakers began to break past the time attached to literary and artistic narrative mode, opening up space in the narrative film narrative dimension.
从这个意义上说，第五代电影创作者开始打破以往依附于文学艺术的时间叙事模式，开辟电影叙事中的空间叙事的维度。
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