Seated in a pompous armchair in that grand office was Alvaro Siza.
这时西扎就坐在那间巨大的办公室里面一张华而不实的扶手椅上。
For Siza, architecture means to absorb the opposite and go beyond the contradiction, to seek the Other in each of us.
对于西扎而言，建筑学意味着吸取对立面和超越矛盾，意味着寻找别的每个我们。
The first time I visited Portugal, I had met Alvaro Siza the year before in Barcelona, a little more than twenty-five years ago.
我第一次去葡萄牙的时候，就已经于前一年在罢赛罗那见过了西扎了，那是大概二十五年前的事情了。
Born in Matosinhos near Porto, as a child Siza wanted to become a sculptor, a predilection that shows itself in his work to this day.
出生于波尔图周边的马托西纽什，当时还是孩子的西扎希望成为一名雕塑家，这似乎预示了他整个生涯的作品风格。
The paper selected three Spaces of Alvaro Siza to discuss the influence and meaning of site environment to Siza s architecture design.
本文选取西扎建筑中的三个空间，探讨基地环境对西扎建筑设计的影响和意义。
As opposed to the art of architecture willfully masquerading as fine art writ large, Siza provocatively insists that architects do not invent anything;
如同反对建筑艺术故意伪装成书面大小（writ large）的好艺术，西扎挑衅地坚持建筑师不创造任何东西；
A well-known quote by Siza asserts that "architects don't invent anything, they just transform reality," and this might explain the logic behind Siza's restrained style.
引用一句西扎著名的语录“建筑师不是创造什么，而是在改变事实”，而这正是西扎设计背后的逻辑。
He is the son of one of the best-known Portuguese architects, Álvaro Siza Vieira , winner of the 1992 Pritzker Prize and the 1988 Alvar Aalto Medal, among many other accolades.
他是儿子的一个最知名的葡萄牙建筑师阿尔瓦罗西扎维埃拉，冠军是1992年和1988年普利兹克奖阿尔瓦阿尔托许多其他荣誉奖章。
This article is to study the strategy of Alvaro Siza in the design which considered to the environment conducts, and try to discuss the relationship between the internal space and the landscape.
本文侧重于对阿尔瓦罗·西扎在设计中对环境考虑的策略进行研究，探讨其室内空间如何与地景发生关系。
This article is to study the strategy of Alvaro Siza in the design which considered to the environment conducts, and try to discuss the relationship between the internal space and the landscape.
本文侧重于对阿尔瓦罗·西扎在设计中对环境考虑的策略进行研究，探讨其室内空间如何与地景发生关系。
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