Chapter three: the North Shaanxi folk song in the Western film embodied strong historical-reconsidering meaning.
第二章：西部电影中的陕北民歌体现出浓重的历史反思意味。
This part mainly analyzed the philosophical meaning brought into the Western film by the North Shaanxi folk song through the deep historical deposit of which .
重点结合陕北民歌的深厚历史积淀来分析其在西部电影中产生的哲理意蕴。
From Chapter three, it is the subject part of the article, mainly probe into the aesthetic function that brought by the North Shaanxi folk song produce in the Western film from four respects.
第二章开始，是文章的主体部分，主要从四个方面探讨了陕北民歌在西部电影中产生的审美功能。
The folk song in northern Shaanxi is one of the folk songs of the Han nationality, which is ideal combination of the local characteristics and pluralities.
陕北民歌是特色性与多元性结合的优秀民间文化，是汉民族民歌代表之一。
Then, the artistic characteristics of the folk song of northern Shaanxi province are summarized and analyzed in terms of aesthetic perspective.
其次从美学角度对陕北民歌的艺术特征进行总结和分析；
The folk song of northern Shaanxi province roots in and originates from the people. It has the vivid art performance and unique charm of the local culture.
陕北民歌根植于民间、来源于民间，具有生动的艺术表现形式和独特的审美文化魅力。
The aesthetic investigation of the folk song of northern Shaanxi province is beneficial to the understanding of the regional culture in that area and also promotes the primitive aesthetics.
对陕北民歌的美学探讨有助于我们了解陕北地域文化，发扬原生态审美文化。
The aesthetic investigation of the folk song of northern Shaanxi province is beneficial to the understanding of the regional culture in that area and also promotes the primitive aesthetics.
对陕北民歌的美学探讨有助于我们了解陕北地域文化，发扬原生态审美文化。
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