That’s where the foley artist steps in, re-creating and recording those other noises, from footsteps to crackling fires, as discrete layers that can be edited into the scene.
这正是拟音艺术家的用武之地,他们重建并录下其他响声,从脚步声到开枪的噼啪声,都以离散分层的形式编辑进场景之中。
That’s where the foley artist steps in, re-creating and recording those other noises, from footsteps to crackling fires, as discrete layers that can be edited into the scene.
这正是拟音艺术家的用武之地,他们重建并录下其他响声,从脚步声到开枪的噼啪声,都以离散分层的形式编辑进场景之中。
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