But "manque" theory cannot negate the artistic integrity law which Robbe-Grillet's creation also follows.
格里耶自身的创作,也在遵循着艺术完整律。
Robbe Grillet's the Voyeur is another works of "New Novel" which boosts countering tradition, following his the Erasers.
法国作家阿兰·罗布—格里耶的小说《窥视者》是继《橡皮》之后又一部标榜反传统的“新小说”派力作。
There also existed a misunderstanding area of pushing literature to the limit of reality in Robbe-Grillet's early matter description theory.
同时,罗伯-格里耶早期的写物理论也存在着把文学的客观真实性推到极端的误区。
French novean roman theorist Alain Robbe Grillet proposed that the contradiction between language and reality determined that novean roman should adopt"Manqué".
法国新小说理论家格里耶提出,语言与现实的矛盾决定了新小说应该采用“空缺”这一美学策略。
Robbe Grillet's writing combined the characteristics of post Modernism and realistic spirit of seeking "reality" and developed the realistic concept of reality.
罗伯—格里耶的创作既有后现代主义的特征,又体现了追求“真实”的现实主义精神。
The critical circle used to comment on Robbe Grillet as a typical writer of post Modernism, but always ignored his opinions on "reality" and his practice in his writing.
批评界习惯于把罗伯—格里耶作为一个典型的后现代主义作家进行评论,却忽视了他关于“真实”的看法及其在他的创作中的实践。
The critical circle used to comment on Robbe Grillet as a typical writer of post Modernism, but always ignored his opinions on "reality" and his practice in his writing.
批评界习惯于把罗伯—格里耶作为一个典型的后现代主义作家进行评论,却忽视了他关于“真实”的看法及其在他的创作中的实践。
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