The traditional culture of a nationality is the representation of the historical heritage of that nationality.
民族传统文化是一个民族的历史遗产在现实中的展现。
E. H. Gombrich was the first to point out that modes of representation are, by contrast, conventional, and therefore have a cultural, socio-historical base.
冈布里奇首先指出：呈现的方式不是那样，而是习俗性的，因此有一个文化的、社会-历史的基础。
This chapter explores how the novel manages to present an artistic representation of the lost history by way of narrative perspective, characterization, setting, narrative thread and historical facts.
本章探讨小说是如何通过对叙事视角、人物塑造、场景选择、叙事线索以及史实的运用，来再现早期美国华人移民史这样一段一度缺失的历史的。
It will also examine the relationship between historical narrative and representation, and the outcomes for heritage practice and local identity, and alternative ways of 'doing' landscape heritage.
也研究了历史陈述与再现之间的关系、遗产项目和地方特征的出路，以及“处理”景观遗产可供选择的方法。
The representation after 2004 represents the academic circles' response to the historical context of theories from time, space and position.
2004年以后的再现表征了学界超越二元模式，从时间、空间和立场上对理论的历史语境做出的回应。
Historical narrative painting includes Classical mythology and heroic legend, as well as the representation of contemporary events.
历史性叙事绘画包括古典神话，英雄传奇，以及当代事件的展现。
On the whole, the above mentioned facial arts are symbol and representation of presenting people's inner world in a specific historical period.
总的来说，以上所谈到的几种脸形艺术都是特定历史时期，人类内心世界的外在的象征和符号形式。
On the whole, the above mentioned facial arts are symbol and representation of presenting people's inner world in a specific historical period.
总的来说，以上所谈到的几种脸形艺术都是特定历史时期，人类内心世界的外在的象征和符号形式。
应用推荐