• A set of local interaction field and adaptive regularizers are introduced to usual regularization theory.

    在标准正则化理论中建议一类局部相互作用场和自适应正则项。

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  • Chapter 9 contains a discussion of the Parzen Windows method within the framework of Regularization Theory.

    本书的第9章涵盖正规化理论架构中巴尔森窗式法的讨论。

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  • RKHS will be an essential tool for establishing a connection between Regularization Theory and Statistical Learning Theory.

    RKHS是结合正规化理论和统计学理论的必要工具。

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  • In this thesis, we introduce some mathematical techniques in harmonic analysis and the regularization theory to solve this problem.

    在这篇论文中,我们将引入调和分析和正则化理论中的一些数学技巧来解决这些问题。

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  • A thorough introduction to the connection between learning and Regularization Theory. We will often refer to this paper in this and in the next few classes.

    这篇文章对学习与正规化理论的连结有非常详细的介绍,我们不仅时常参考这篇论文,在接下来的几堂课中也会一直提及它。

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  • Regularization Theory is introduced as a natural framework for studying this classic, ill posed problem which otherwise admits an infinite number of solutions.

    而正规化理论就成为研读经典、非良置性问题的自然架构,得以容纳大量的解答方式。

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  • We discuss theoretical properties, implementation issues, merits and limitations of these techniques and explore in depth their relation with regularization theory.

    并深入的探究这个理论的特性、执行议题、优缺点、限制及它与正规化理论之间的关系。

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  • Chapter 4 introduces the regularization method theory. Its algorithm description is also given.

    第4章,详细介绍了反问题的正则化算法,并给出算法模型。

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  • We use Coase's interactive method, the theory of institutional change and groups'game to demonstrate the importance and possibilities of regularization of informal finance.

    本文采用科斯的交互分析方法、制度变迁理论以及利益集团博弈论论证了非正规金融正规化的重要性与可能性。

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  • According to the general theory of regularization, many error estimates are order optimal.

    根据正则化理论,许多误差估计都是阶数最优的。

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  • The popular art, on the contrary, is opposed to the above-mentioned esthetic theory, and to the theory of restriction in the name of regularization.

    大众艺术则反对这样的“美学”,甚至反对任何一种企图借“规范”之名施“约束”之实的理论。

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  • The popular art, on the contrary, is opposed to the above-mentioned esthetic theory, and to the theory of restriction in the name of regularization.

    大众艺术则反对这样的“美学”,甚至反对任何一种企图借“规范”之名施“约束”之实的理论。

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