It then examines recent theories of film authorship and proposes a reconceptualization that grounds the topic firmly in empirical analyses of film production.
然后分析作者最近的电影理论，提出了一个概念化的理由，在电影制作经验分析问题坚决。
It then examines recent theories of film authorship and proposes a reconceptualization that grounds the topic firmly in empirical analyses of film production.
然后分析作者最近的电影理论，提出了一个概念化的理由，在电影制作经验分析问题坚决。
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