By the late 1940s, he was already employing modern classical ideas such as polytonality and dissonance, and working in unusual time signatures to create a distinctive jazz sound.
到40年代后期，他已将多调性和不协调音等一些现代音乐理念，以及不规则拍子应用于爵士乐，制造出别有特色的音效。
By the late 1940s, he was already employing modern classical ideas such as polytonality and dissonance, and working in unusual time signatures to create a distinctive jazz sound.
到40年代后期，他已将多调性和不协调音等一些现代音乐理念，以及不规则拍子应用于爵士乐，制造出别有特色的音效。
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