The flow of art life of Chinese flower-and-bird painting contains the flow of nature life which belongs to carrier and the flow of self life which belongs to the authors.
中国花鸟画艺术生命流蕴涵了作为创作载体的自然生命流和创作者的自我生命流。
Chapter I summarizes the reasons and background for the prosperity of Song Dynasty's fine brushwork flower-and-bird painting.
本文第一章概述了宋代工笔花鸟画繁荣的原因及时代背景。
Second, new tendencies of the painting species have been summarized in emperor Gao-Zong dynasty, which consist of landscape painting, flower and bird painting, history painting, portrait and so on.
其次对高宗朝各绘画品种反映出的创作新倾向进行了总结，分为山水画、花鸟画、风俗画、历史画、人物画等方面。
Obviously, humanistic and psychological connotation have deeply rooted in the imagery expression of Chinese flower and bird painting.
在花鸟画的意象表现中，内蕴着深刻的人文内涵与哲理内涵。
With some reference from other works, this article analyzes the features of Wang Yuans flower-and-bird painting and draws the following conclusion:1.
本文通过对该图的分析，再参照其他作品，概括出王渊花鸟画的笔墨特征：一、以墨代色，笔精墨妙；二、勾勒、没骨，相得益彰；三、师“黄”借“徐”，自创一格。
In particular his unusual character as well as his vehement expression of emotion had opened a new epoch for flower-and-bird painting of modern times.
尤其是画家独标品格的个性和慷慨激昂的情绪发泄，为近代花鸟画的勃兴开了先河。
Firstly, it reveals the poetic imagery of Chinese flower and bird painting in free style.
首先中国写意花鸟画意境中内蕴的意象。
Therefore, it may be said that aesthetic feeling of pen and ink is fully reflected in his flower and bird painting works.
因此，笔墨自身的美感，在他的花鸟画中得到了充分体现。
The research tries to investigate, with the influence of the intellectual gathering, what caused the style of the palatial Flower-and-Bird Painting in the early age of Ming Dynasty.
本文选择花鸟画做为研究对象，研究在宣德台阁雅集背景下，宫廷花鸟画在明初呈现面貌的原因。
Moreover, in Meng's flower-and-bird oil-painting works, there are only image of birds, and that of flowers is expressed as the scars of the birds.
说孟涛转向花鸟油画，其实是只有鸟没有花，花的意象为鸟的伤痕所替代。
All of his figure, action and flower and bird paintings are excellent, which starts a new style for new China's figure painting.
人物、动作、花鸟无所不精，开创新中国人物画一代新风。
It's a collection of the representative flower-and-bird paintings in Chinese history, offering the readers a chance to appreciate the beauty and charm of Chinese flower-and-bird painting.
本书通过介绍中国历代花鸟画家及其代表作，引导国外读者欣赏中国花鸟画，感受中国花鸟画的魅力。
Xing Shaochen, male, born in 1955 in Beijing, Director of Flower and Bird Painting Studio of China National Academy of Painting, First-Class Artist and Member of China Artists Association.
邢少臣男，1955年出生于北京。中国国家画院花鸟画研究室主任、一级美术师，中国美术家协会会员。
Xing Shaochen, male, born in 1955 in Beijing, Director of Flower and Bird Painting Studio of China National Academy of Painting, First-Class Artist and Member of China Artists Association.
邢少臣男，1955年出生于北京。中国国家画院花鸟画研究室主任、一级美术师，中国美术家协会会员。
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