No matter dead or alive, Li Yu's opera theory has always been concerned and researched.
李渔的戏曲理论一直为人所关注、所研究。
Yet what is focused most is his traditional opera theory and his achievements in literary creation, very little attention is paid to his creation of novels, especially his theory of novel creation.
但探讨其戏曲理论与创作成就的较多，论及其小说创作特别是小说理论的较少。
This is the type of everyday, grown-up social cognition whereby theory of mind becomes effortlessly layered in complex, soap opera-style interactions with other people.
这是一种日常的，成熟的社会认知，心理能力毫不费力的在与他人间复杂，肥皂剧般的关系中层层堆积。
Opera to reflect modern life is the important part of this theory.
戏曲表现现代生活是这个理论的核心内容之一。
This essay employs Thomas Schatz's genre theory to examine the Huangmei Opera film genre.
本篇文章是采用汤玛斯？兹的电影类型理论来检验黄梅调电影。
This thesis analyzes the black humor in John Barth 's the Floating Opera by applying the theory of existentialism and black humor.
本文运用存在主义理论和黑色幽默理论分析约翰·巴斯的《漂浮的歌剧》中的黑色幽默。
The expression-spirit theory of Chinese ancient opera, is a guiding theory of creating character image on stage.
中国古代戏曲中的形神理论，是关于舞台人物形象塑造的指导性理论。
Practice, theory, and accumulation of performance are three aspects to measure the influences of traditional Chinese opera on Chinese modern drama stagecraft.
实践、理论、舞台积淀，是衡量传统戏曲对中国话剧舞台艺术产生影响的三个方面。
Li Yu is the only one with conscious art practice theory at the height of opera art noumenon.
李渔是唯一一个自觉地站在戏曲艺术本体的高度去关注戏曲艺术实践的理论家。
Then Pianlipai come out in the field of opera and scholars of theory pay attention to it.
之后，骈俪派正式浮出曲坛，并受到了诸多戏曲理论家的集中关注。
Then Pianlipai come out in the field of opera and scholars of theory pay attention to it.
之后，骈俪派正式浮出曲坛，并受到了诸多戏曲理论家的集中关注。
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