It's like painting something exactly how it is, so an artist would try to make it as accurate and objective as possible.
这就像完全按照某个东西是怎么样的把它画出来，所以艺术家会尽可能地画得精确和客观。
It's like painting something exactly how it is, so an artist would try to make it as accurate and objective as possible.
就像是完全按照事物的本身来画，所以画家会尝试尽可能地把它画得客观准确。
This objective has not tried to make Chinese ink painting career, in a dramatic change in the Five Dynasties.
这在客观上使唐人未尽的水墨山水画事业，在五代发生了戏剧性的变化。
Objective: To Study Sensation seeking personality particularity with of painters with different painting kinds and styles.
目的：探讨不同绘画种类和绘画风格美术工作者的感觉寻求人格特质倾向。
For Seurat, his objective was to allowing his painting tools to be accurate as spectrum of physics so as to turn painting into a subject of science.
对于修拉来说，他的目标就是要使他的画具有物理学光谱那样的准确性，从而使绘画成为一门科学。
A school of painting in France in the late19th century that rejected the objective naturalism of impressionism and used form and color in more personally expressive ways.
后期印象主义19世纪后半期法国的绘画流派，反对印象主义的客观自然性，以更为个人化的表现方式运用形式与色彩。
Artists tend to analyze the material as the purpose of artistic creation, in the concept emphasizes a reality and the objective existence of a painting to give material to a very important position.
艺术家往往以分析材质作为艺术创作的宗旨，在观念上强调一种现实性，一种绘画的客观存在，给予材料以非常重要的地位。
The abstraction of modern paining is reflected in all schools of modern painting, and it lays special emphasis on subjective expression rather than objective reflection.
现代绘画的抽象性表现在现代绘画各流派之中，侧重主观表现，而非客观反映。
Image modeling is an objective portrait painting in the spirits, to express the objective spirits as the fundamental perception of the pursuit.
意象造型是画者在刻画客观物象时以表达对于客观物象的主观感受为根本追求的一种造型方式。
Painting doesn't need to reproduce the nature, as photography, film and television have enough power to reproduce the objective world;
绘画无须模仿自然，摄影、电影和电视对客观世界的再现能力已经足够强大；
The author tries to use objective view to see the causes and the shortcomings of oil painting's Nationalization and also bring forward the outlook of Chinese oil painting.
笔者试图从尽量客观的视野来检视“油画民族化”的成因、弊端，并提出中国油画的出路。
Furthermore, it is demonstrated that the landscape painting is based on the dialectical unify of relation between the painter's subjective emotion and the objective scenery.
并在此基础上进一步论证了山水画是画家主观情感与客观景物之间辩证统一的关系。
The feature of Chinese painting is With objective things To express Ambition, Borrow Shuhuai;
中国画的特征是托物言志，借物抒怀；
So I try a half-painting created by painting half way to reduce the impact of objective things.
所以我再尝试了半写生半创作的绘画方式来减少客观事物的影响。
Habit of painting lines in service at the main function "of shape," painted an objective that is the real target.
习附的绘画线条功能主要在服务于“存形”，即真实描绘客观对象。
One conclusion is that figurative painting is a realistic and objective-oriented, concrete reconstruction of the painting is subjective.
其中得出的结论是具象写实绘画是客观化的，具象重构绘画是主观化的。
In the essence, oil painting language is how to observe and perform objective things by using the concepts of color of Western art and modeling.
油画语言从本质上看，就是如何用油画的方式即西方艺术的色彩观念和造型观念去观察、表现客观事物。
This paper mainly from two aspects: creation of objective and subjective aspects of flooding in Chinese painting works in the whole creative process of uncertainties.
本文主要从两个方面来：创作中客观方面和主观方面来分析充斥于中国画作品整个创作过程中的不确定性因素。
Talks about to clarify first the critical appearance of the oil painting art language is objective and can't converse of art create the performance appearance of the realm.
论题首先阐明油画艺术语言临界状态是客观的、不可逆转的艺术创造领域的表现形态。
Thus, the appearance and the spirit are presented through the objective and subjective study of the painting aesthetics.
从主、客体不同的两方面对绘画进行美学研究。使得“形”与“神”在绘画上开始对立起来。
Any style of Chinese painting is to go beyond the color images show the objective of situation and feelings directly to the highest state of Mind.
任何样式的中国画的色彩表现都是以超越物象的客观情状而直接指向心性情意为最高境界。
Finally, the paper summarized the contemporary significance of wall painting, and outlooked the future trends of it from an objective point of view.
最后，简述了墙绘艺术的当代意义，并且从客观的角度展望墙绘艺术在我国室内设计装饰行业的未来发展趋势。
Whereas the conceptional ink painting does not necessarily require a hermeneutical explanation, its objective nature lies hidden behind the surface of the ink and wash.
水墨画本来是无需解读的，但作为观念的水墨则在水墨的表象后面隐藏着本质的客体。
Whereas the conceptional ink painting does not necessarily require a hermeneutical explanation, its objective nature lies hidden behind the surface of the ink and wash.
水墨画本来是无需解读的，但作为观念的水墨则在水墨的表象后面隐藏着本质的客体。
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