Frost as a narrator, in these great poems I'm describing, frames his people's words minimally, with few bits of narrative information.
作为一个叙事者，弗罗斯特在我描述的那些伟大的诗歌中，用很少的叙述信息，最低限度地构建了他的人民的语言。
The narrative interrupts here and focuses on the setting where Nutmeg is telling the narrator this story.
讲述在此中断，集中到肉豆蔻给讲述者的故事上来。
The paper discusses the narrative art of Li er's novels from three ways: the narrator, the narrative time and the narrative tactic.
本文从叙述者、叙述时间和叙述策略三个方面论述了李洱小说的叙述艺术。
Narrative subject mainly includes an implied author and a narrator, which are basically in common in traditional novels, which generally believe in the principle of the narrator's authority.
叙事主体主要包括隐含作者和叙述者，传统小说中二者基本一致，普遍信奉叙述者权威的原则。
In reading narrative fiction, we should not equate the author with the narrator or equate the narrative voice with the voice of the author.
在叙事虚构作品中，不能将作品的作者等同于作品的叙述者、将作品中的叙述声音等同于作者的声音。
The real and reliable narrator should be the narrative ego.
真正的叙述者应为叙述自我，而且是可靠的。
The narrative sound and the narrative Angle of view do not come from the same narrator, but exist in the different characters.
叙事声音与叙事眼光不再统一于叙述者，而是分别存在于故事外的叙述者与故事内聚焦人物这两个不同实体中。
With Lush Life, I wanted a very strong narrative without necessarily a very strong narrator; it helps that the songs match.
生长着茂盛的生活，我想一定是一个没有很强烈的解说员非常强的叙事，它有助于该歌曲比赛。
Recent theories of narratology finds two narrative perspectives, namely that of the narrator as well as that of Nick, in "Big Two-hearted River".
《大双心河》采用人物尼克的和无名叙事者的两个叙事视角。
The narrative situation refers to the relationship between a story and the narrator of the story, which is the most essential but the most complicated relationship in a narrative literary work.
叙述情境指的是故事和故事叙述者之间的关系，它是叙事文学作品中最基本的又是最复杂的关系。
Secondly, an intradiegetic narrator had both first-person narrative and omniscient point of view.
二是故事内的叙述者，她用第一人称全知叙述讲述和感知故事；
During this period in the narrative perspective on the text has been strengthened, and also build a network of multi-perspective description between the narrator and characters.
这一时期文本在叙述视角上得到了强化，并且还在叙述者和人物视角之间构建了多重叙述网络。
This article will analyze its artistic charm from three aspects - the first-person narrative point of view, double narrative point of view and unreliable narrator.
本文将从第一人称叙述角度、双视角及不可靠叙述者三方面解析这一成长小说的独特艺术魅力。
Having determined the kind of narrator, the techniques can be considered as the narrator's manipulation of narrative focalization, narrative order, narrative duration, and narrative of words.
确定了叙述者，小说的叙述手法可以看作是叙述者对叙述焦点、叙述时序、叙述时限和叙述话的运用技巧，从而排除了作者在文本研究中的出现。
Those multiple narrators will bring multiple narrative perspectives, even the narrative perspective on the same story narration Maijia also adopted more narrator from different angles.
这多个叙述者自然会产生多个叙事视角，即使是对同一故事的叙述麦家也采用了多个叙述者从不同角度来讲述的方式。
The first level refers to many kinds of narrative strategies of the appeared narrator, and the second level refers to many narrative marks of the great narrator.
第一层面是明现叙述者的多种叙述策略；另一层面是大叙述者的多处叙述标示，而这种双重叙述机制的分析对于影片的叙述意图和故事内涵的理解有重要意义。
A narrator is the teller of a narrative text.
叙述者是指叙述文本的讲述者。
Viewing the five relations from narrative level, we found the distance between the narrator and the narrated object has an important influence upon the novel's artistic effects.
由小说的叙述层次考察上述五种关系，叙述者与叙述对象关系的亲疏，对作品的艺术效果会产生重要的影响。
Joyce obeyed the modern narrative principle of neutrality and detachment during his early period of writing. However in Finnegans Wake, Joyce created a loquacious narrator.
在创作的早期，乔伊斯遵循的是中立、冷漠的现代叙述原则，但到了《芬尼根的守灵》，乔伊斯使叙述成了叙述者的快乐言说。
Chapter one analyzes the narrative perspective, narrative voice and unreliable narrator of narrative subject in Atwood's novels.
第一章具体阐述了阿特伍德长篇小说里叙述主体中的叙述视角、叙述声音和不可靠叙述者。
In narrative texts, the narrator can intervene the story or text itself in different ways.
在叙事作品中，叙述者可以种种方式对于其所讲述的故事以及文本本身进行干预。
The transformation of narrative voices, especially the character-narrator reveals the intrusion of the author.
叙事声音，特别是主要人物的叙事声音的转换，多个角度呈现出作者的介入叙述。
In the History of the Chinese novel in the 20th Century, the first person narrative novels in seventeen years have an obvious character: the deflection from the part "I" to the narrator "I".
在中国2 0世纪小说史上，十七年第一人称小说具有一个鲜明的特征：角色“我”向叙述者“我”偏移。
In the History of the Chinese novel in the 20th Century, the first person narrative novels in seventeen years have an obvious character: the deflection from the part "I" to the narrator "I".
在中国2 0世纪小说史上，十七年第一人称小说具有一个鲜明的特征：角色“我”向叙述者“我”偏移。
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