The second part of the paper discusses the narrative time.
论文的第二部分论述李洱小说独特的时间艺术。
The narrative time mode in Yu Dafu's novels pays attention to the mentality and mood.
这种强调心理、情绪的叙事时间模式呈现出叙事时序的错位、时长的被压缩和重复等。
The handling of narrative time attaches unique fun and implication to Tang dream-novels.
这些叙事时间的处理，使唐代写梦小说产生独特的趣味与寓意。
At the same time, he can use the narrative time interval and frequency to control narrative rhythm.
娴熟地把握叙述时距和频率来控制叙述的节奏。
The narrative features are analyzed from its narrative time, narrative Angle and figure of speech etc.
从《时代三部曲》的叙述时序、叙述视角、修辞运用等方面分析其叙事特点。
Narration is concerned primarily with narrative form, and its main content is narrative time and angle.
叙事学关注的中心在于叙事形式问题，其基本内涵主要是叙事时间和叙事角度问题。
The characteristics of her style are narrative time, shift of narrative viewpoints and narrative language.
叙述时间、叙述角度转换和叙述语言是她创作技巧的核心。
The style of Mongolian fiction has changed in the new period, mostly embody narrative context, narrative mode, and narrative time.
新时期蒙文小说在艺术形式上出现了嬗变，主要体现在叙述语境、叙事模式和叙事时间三个方面。
The stagger narrative time order, the compressed time length and repeating narration are the main aspects of the mental time mode.
这种强调心理、情绪的叙事时间模式呈现出叙事时序的错位、时长的被压缩和重复等。
The paper discusses the narrative art of Li er's novels from three ways: the narrator, the narrative time and the narrative tactic.
本文从叙述者、叙述时间和叙述策略三个方面论述了李洱小说的叙述艺术。
About the fable "real" with the realistic question with the fable narrative time structure, the spatial structure concerns frequently.
关于寓言的“真实”与现实问题常常与寓言叙事的时间结构、空间结构有关。
They have similar and fixed modes on narrators - narrative angles - narrative time and so on. These are connected with special effect.
在叙述者、叙述角度和叙述时间等方面，它有相似、固定的模式，这些模式联系着特定的效果。
Although narrative time representation is a field of much significance in time psychology, no systematic research on it has been carried out yet.
叙事时间表征是时间心理学研究中有重要意义的研究领域，但迄今为止国内外对此尚未有系统研究。
We discuss the narrative features of Xu Xu's novel from three aspects, including narrative time, narrative levels, perspective and narrative structure.
本文以叙事特征为研究对象，从叙事时间、叙事层次及视角、叙事结构三个方面解读徐舒小说的现代性叙事特征。
There are three major narrative strategies used in this kind of TV plays: mining themes, emotional reconstruction of the history and narrative time shift.
这种电视剧常用的文本策略主要有三种：亮点挖掘、感性重构和叙事移位。
The transform has been reflected in these two aspects: one is the bold attempts of the meta-fiction writing and the other is the inversion of narrative time.
他的小说叙事艺术变革体现在两方面：一是“元小说”的大胆尝试，二是叙事时间的颠倒错乱。
During the long evolution of style, each follower destroyed its predecessor's narrative distance in terms of narrative time, narrative angle and narrative model.
在漫长的文体演变过程中，每一个后者都对前者在叙述时间、叙述视角、叙述模式上进行叙事距离的破坏；
There exist three ways which are chronological-flashback-patching in terms of narrative time, and two structural forms, interior and exterior, in terms of narrative space.
在叙事时间上，有顺———倒———补三种形态。在叙事空间上，有内部与外部两种结构形式。
Although the narrative time of historical biography on figures and historical novel is realigned in the text but their narrative patterns specifically exhibited are different.
虽然人物史传与历史小说的叙述时间都是经过了重新排列的文本化了的时间，但是它们具体展现出来的叙述模式是不同的。
Based on stylistics, esthetic theory and metropolis culture, this paper, guided by narratology, mainly researches on the application of techniques of narrative time and space.
本文以叙事学理论为指导，在文体学、审美理论、都市文化研究等的基础上，着重探究张爱玲特殊的时空观念及小说的叙事时间与叙事空间的运用技巧。
Such the change of narrative time as the delay of narrative speed, the narrative analysis of cross time and the magic change of time all originated in Chinese Buddhist Scripture.
叙事时速的延缓、错时的叙述分层、时间的幻化这些叙事时间的变化也能从汉译佛典中找到渊源；
This essay shows Faulkner's gifted talent and literary achievements through an analysis of the narrative time, the psychological time and the narrators' reaction to simple clock time.
本文从小说的叙述时间、心理时间以及叙述者对时钟时间的情感倾向三个方面展现了福克纳对时间的非凡的驾驭能力和艺术才华。
It rejects the traditional linear narration, cutting the story into many "tiny plots" in disorder and linking them again, thus making the narrative time quite free and get great "liberation".
它一反传统小说的线性叙事，把多条故事线索切割成多个“情节小块”打乱顺序穿插起来，使叙事时间得到了空前的“解放”。
Combined with the text and the readers, and based on previous researches, this study discussed effect of narrative time shift and time management disposition on the construction of situation models.
本研究在以往研究的基础之上，综合了文本和读者的因素，从时间维度上探讨了叙事时间转变和时间管理倾向对情景模型建构的影响。
Paradoxically, Mr Alfredson has managed to keep the book's slow, cerebral mood while at the same time speeding up the narrative about agents and double agents.
自相矛盾的是，阿尔弗·莱德森一边试图保留书中缓慢而费脑的气氛，同时又加快了有关特工和双面特工们的叙事。
At a time when abstraction was still new, Bauhaus artists worked towards a universal visual language, one that was based on geometry and devoid of narrative.
在抽象主义还处于先锋阶段时，包豪斯的艺术家已经在用通用的视觉语言了，这种语言基于几何学，没有任何的叙述。
Nolan exemplifies the best kind of filmmaking, unchained from the laws of time, space and even gravity, but never from the most basic rules of narrative.
诺兰凭本片为电影制作树立了最佳典范：既从时间、空间，乃至万有引力的自然法则中跳脱而出，又从未偏离基本的叙事法则。
Nolan exemplifies the best kind of filmmaking, unchained from the laws of time, space and even gravity, but never from the most basic rules of narrative.
诺兰凭本片为电影制作树立了最佳典范：既从时间、空间，乃至万有引力的自然法则中跳脱而出，又从未偏离基本的叙事法则。
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