This paper aims at a general survey of the poetics of the novel as developed by Malcolm Bradbury.

本文试图对马尔科姆·布雷德伯里的小说诗学作一概括和评价。

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This idea should not be very surprising, for, as Malcolm Bradbury has pointed out, "the potential of Modernism was long present in the development of literature;"

这一观点并不出人意表，因为对现代主义运动深有研究的英国学者马·布雷德伯里早就在其著作中表达了类似的观点。

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Or Howard Belsey himself, who starts out like an escapee from a Malcolm Bradbury novel but whose limitless capacity for folly keeps deepening and strangely sweetening his character.

而霍华德·贝尔西这个角色本身，一开始表现得如同马尔科姆·布拉德伯里小说中逃亡者，不过随着他那无穷尽的荒唐特质被不断深化，这个角色不可思议地变得越来越纯净，越来越赏心悦目。

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Or Howard Belsey himself, who starts out like an escapee from a Malcolm Bradbury novel but whose limitless capacity for folly keeps deepening and strangely sweetening his character.

而霍华德·贝尔西这个角色本身，一开始表现得如同马尔科姆·布拉德伯里小说中逃亡者，不过随着他那无穷尽的荒唐特质被不断深化，这个角色不可思议地变得越来越纯净，越来越赏心悦目。

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