Also, language death affects our knowledge about nature.
同时，语言的消亡也影响着我们对自然的认识。
Dressler, Wolfgang and Wodak-Leodolter, Ruth. 1977. Language preservation and language death in Brittany. International Journal of the Sociology of language, 12:31-44.
得利斯勒·霍夫甘和沃达克·利欧多尔特·路师《在布列塔尼的语言保存和语言消亡》语言社会学国际期刊1977年12期31 - 44页。
So language speaks through us as the origin of speech but it also speaks as the death of speech.
语言作为话语的来源被我们说出，但同时说出的语言也宣判着话语的终结。
In the last few months of immersing myself in language learning I've grown more patient and started focusing on having fun instead of working myself to death.
在过去几个月里我沉浸在学习语言中的经历让我变得更加有耐心，并且开始专注于获得其中的乐趣而不是工作到死。
That's a perilous state of affairs.With the death of a language, the planet loses an irreplaceable cultural phenomenon.
这样的形势比较严峻，因为每一种语言的灭绝都意味着世界失去了一方无可替代的文化。
As I’ve said many times before French as a language is largely an evolution of Latin and so we can look back to the Latin words funus and funer meaning “death rites.”
我之前已经说过很多次，法语主要由拉丁语演变而来，因此我们能更向前考察，拉丁语的funus以及funer的意思是“死亡仪式”。
There are over 200 euphemisms for death in the English language.
英语里，死的委婉说法超过200个。
The disappearance of a language results in the death of a culture, an irreversible loss for human civilization.
当一种语言消失时，也就导致了其文化的消失，这对人类来说是一个无法逆转的损失。
By the time of Shakespeare's death in 1616, the English history and language had entered the modern period.
1616年莎士比亚去世之时，英国人的历史和语言都已进入了现代阶段。
Using his lyrical language and humor to triumph over death and evil, Skipper not only survives in the imposition of chaos but also creates a new life with the power inside — imagination and dignity.
通过他诗一般的语言和幽默战胜死亡和邪恶，船长不仅在乱世中生存下来，而且应用内在的力量——想象和尊严建立了一种新的生活。
Mo Yan's novels played important art dial function to that novels which were indulged in language game and death.
这对同时期沉溺于语言游戏和死亡气息的某些小说也起到了重要的艺术反拨作用。
The essential relation between language and death flashes up before us, but remains still unthought.
而语言与死亡之间的这一基本联系就呈现在我们面前，然而却依旧未被深思过。
The second part will combine the reading of text and concrete manifestation about awareness of death in the novel, to illustrate the three aspects from the language, plot, characters.
第二部分结合文本的阅读，分析福楼拜死亡意识在小说中的具体表现，从冷漠淡然的语言、独具匠心的情节、命途多舛的人物三个方面来阐述。
While we, as foreigners can not be as English as mother tongue so easily, but this is not the existence of the death of a large number of language translation of the reasons for chaos.
固然我们作为外国人不可能做到像英语作为母语的人那么自如，但这不是大量存在的死译乱译的理由。
Tarski condemns "natural language" into death, because he thinks that it consists of "contradiction proved".
塔斯基宣判“自然（日常）语言”死刑，是因为他发现它内含“矛盾被证”。
By language: a small testament, terrible to say, but death is something we have to face, cherish life, cherish their family members and friends, like a good testament to write their own copies of it?
作者语：小遗言，说来很恐怖，不过死亡都是我们要面对的事情，珍惜生命，珍惜身边的家人朋友，想好给自己写份遗书了吗？
A person caught TEACHING Chinese language in Indonesia may face the DEATH penalty if he is charged under the "subversive" act.
一个人在印尼教汉语被抓住可能被判死罪，如果他被控犯有“颠覆破坏“罪。
A person caught TEACHING Chinese language in Indonesia may face the DEATH penalty if he is charged under the "subversive" act.
一个人在印尼教汉语被抓住可能被判死罪，如果他被控犯有“颠覆破坏“罪。
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