This article attempts to analyze German Romantic poet Novalis' "self image" of his Poetics under the ideological context of the 18th century.
本文力图从“自我”形象角度，分析18世纪思想语境之下的德国早期浪漫派诗人诺瓦利斯诗学思想。
Each cameramen to each image, the phenomenon, the feeling is not same, ideological cultivation, esthetics psychology, artistic pursue and so on also frequently greatly different its interest.
每一个摄影者对每一形象、现象、感受不相同，思想修养、美学心理、艺术追求等也常常大异其趣。
As the realistic image comes out and rises to a higher level, the ideological sense elevates to a strange space along with thought's diffusion.
在此岸形象浮出水面并得以深化的同时，彼岸意义也随着思维的扩散趋向于异样的空间。
The second chapter mainly has discussed the evolution path of the farmer image because of time culture ideological trend vicissitude and the writer's different choice.
第二章主要探讨了农民形象因时代文化思潮的变迁与创作主体多元文化选择的差异而形成的在二十多年来小说中的嬗变轨迹。
The second chapter mainly has discussed the evolution path of the farmer image because of time culture ideological trend vicissitude and the writer's different choice.
第二章主要探讨了农民形象因时代文化思潮的变迁与创作主体多元文化选择的差异而形成的在二十多年来小说中的嬗变轨迹。
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