In his Great Lotus Pond, he perpetually reconstructs and reconstructs ideographic forms in direct relation to a cursive style of painting.
在《魏氏种植的伟大荷塘》中，他不断地解构和重建与狂草风格有关的表意形式。
In his Great Lotus Pond, he perpetually reconstructs and reconstructs ideographic forms in direct relation to a cursive style of painting.
在《魏氏种植的伟大荷塘》中，他不断地解构和重建与狂草风格有关的表意形式。
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