Hongshan culture jade large tomb tombs seem to have a certain combination.
红山文化大型墓殉葬的玉器似乎都有一定的组合。
Liaohe region is the cradle of Hongshan Culture jade in China with one of the earliest.
红山文化发源地辽河地区是我国用玉最早的地区之一。
Hongshan culture jade groups have emerged, most with birds and beasts as the main body.
红山文化涌现出的玉器群，多数以鸟兽形为主体。
Thus exact quantity of Hongshan Culture jade existing is significant for both collection and research.
因此我们说，由于这一特殊原因，散失民间的红山文化玉器已远远超过考古所发现数量。
So as to solve a large number of existing domestic and international bulk of the Hongshan Culture Jade handed down the age issue.
从而解决了一大批散存在国内外传世的红山文化玉器的年代问题。
Hongshan Culture Jade in the simple and bold animal styling, performance techniques in full relief, relief, openwork, two eagles, line engravings by becoming more and more into what.
红山文化玉器中动物造型风格质朴而豪放，表现手法中的圆雕、浮雕、透雕、两面雕、线刻等以日臻成孰。
In the third stage (1971-1977), Xiaoheyan culture was confirmed by excavation and jades of Hongshan culture was recognized by finding jade dragon and excavating tombs.
第三阶段(1971年- 1977年)通过发掘确立了小河沿文化，通过红山文化玉龙的发现和墓葬发掘，辨识出红山文化玉器。
Jade discs have been found carefully laid on the bodies of the dead in tombs of the Hongshan culture (about 3800-2700 BC), a practice which was continued by later Neolithic cultures.
玉片上发现了仔细的尸体，死者中规定的红山文化(约3800- 2700年)，这是一个被后来的新石器时代墓葬文化继续执业。
Jade cicada was first appeared during Hongshan culture and Liangzhu culture. But cicada design carved on the bronzes was first appeared in Shang dynasty.
早在红山文化、良渚文化时期就已出现了玉蝉，而蝉纹最早出现在青铜器上是在商代。
Dragon, eagle, owl, cicada, and cloud-shaped Pei are subject matters of jade wares of Hongshan culture, and they are also the major subject matter of black-shell jade.
一些龙、鹰、鸮、蝉和云形珮等是红山文化主体玉器的表现内容，也是泛红山文化黑皮玉雕的重要表现内容。
In Hongshan culture also has some rough cast stone implement and the jade, that USES for the tool which produces and the life USES.
红山文化中也有一些粗制的石器和玉件，那是用来生产和生活用的工具。
Their Hongshan-Culture jade collection is not more than dozens too. It's impossible to calculate the exact existing because jade objects picked up by local farms are beyond the number.
要知道，在如此广阔的红山文化分布区域，在每天都接触土地的无数农民人群中，您不可能准确推算出红山文化玉器的真实存世数量。
Their Hongshan-Culture jade collection is not more than dozens too. It's impossible to calculate the exact existing because jade objects picked up by local farms are beyond the number.
要知道，在如此广阔的红山文化分布区域，在每天都接触土地的无数农民人群中，您不可能准确推算出红山文化玉器的真实存世数量。
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