Thousand years history of reception is also an extensive history of aesthetic implication and this reception process will never end.
千年接受史也就是“易安体”美学意蕴的衍展史，并且这一接受过程也永不会完结。
They are an important link in the history of reception of Yuan Hao-wen that they are apocalyptical to the current Yuan Hao-wen studies.
它是元好问接受史上的重要链条，对现今元好问研究亦有相当的启发性意义，不容忽略。
So what we see in the publishing history of Black Boy and also in its reception brings us back to those questions that I was raising at the beginning of class.
黑孩子》的出版经历,以及出版之后的反响,让我们又回到了我一开始提到的那些问题。
Therefore, the ploughing of the reception history of the issue of fiction and reality in "the War among Three Kingdoms" was actually an exemplary job for rewriting literary history.
因此，对《三国演义》“虚实”问题接受史的梳理实际上是重写文学史工作中的具体而微的部分。
Jauss also thinks that history of literature is a process of aesthetic reception literary text on the part of the receptive reader, the reflective critic and the author in his continuing productivity.
尧斯认为文学的历史是一种美学接受与生产的过程，这个过程要通过接受的读者、反思的批评家和再创作的作家将作品现实化才能进行。
On this point, the history of literature or literary reception is a history of the cultural value concept that affects literature.
文学史或者说文学接受史是人类文化价值观念对其影响的效果史。
Reception in which the Conference of Tourism in Lijiang, a glorious history of the footprints.
其中会议接待在丽江的旅游历史上留下了光辉的足迹。
It is a succinct summary to introduce Goethe's reception history, the translations of Goethe's works and the status quo of Goethe study in China.
本文概括地介绍了歌德在中国的接受史与歌德译介和研究的现状。
Through the analyses of its artistic quality and study history, the author finds there are two pillars for literary canonization: one is artistic quality of works and another its reception.
通过对《红楼梦》艺术品质的分析、对“红学”流变的分析，发现文学经典化有两极一极是著作的艺术品质，另一极是文本的接受。
In western music history books of the 20th century, German romanticism composer R · Strauss' didn't get high evaluation and usually had mixed reception.
20世纪的西方音乐史著作中，对德国晚期浪漫主义作曲家R·施特劳斯的音乐作品评价多半不高，常常毁誉参半，甚至贬多于褒。
The history of literary reception modernizes the classical aesthetic experience.
接受史研究是为了沟通古今审美经验，让古典走向现代。
Depending on reception-aesthetics , my thesis cards the kinds of comments about Su-Ci in the poetics of Ci's history from vertical and horizontal directions.
本论文借鉴西方接受美学理论，以历代词话以及文人笔记中散见的有关东坡词的议论为主要材料，从三个方面对苏词接受史进行了研究。
Depending on reception-aesthetics , my thesis cards the kinds of comments about Su-Ci in the poetics of Ci's history from vertical and horizontal directions.
本论文借鉴西方接受美学理论，以历代词话以及文人笔记中散见的有关东坡词的议论为主要材料，从三个方面对苏词接受史进行了研究。
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