The nationalization of Chinese oil painting is an important phenomenon in the contemporary history of Chinese arts.
“油画民族化”是中国现代美术史中的重要现象。
In different historical periods, they displayed the own characteristics of their paintings, using their brushes, which added glory and splendor to Chinese contemporary oil painting history.
这些领军人物在各个历史阶段激扬画笔，挥斥遒逸，建树一方，为中国当代油画史增光添彩。
Therefore, the realistic feature in Guo Beipin's oil painting is a kind of realism in the history of China's heritage, but also a crystallization of aesthetic realism of contemporary Chinese art.
因此，郭北平油画里的现实主义特征，是一种现实主义在中国的历史积淀，也是当代中国艺术中现实主义审美的结晶。
Plaster Buddha Statue on Red Bench joined in Annual Exhibition of Chinese Oil Painting in National Museum of Chinese History;
油画作品《红凳子上的石膏佛像》参加了在北京历史博物馆举办的《中国油画年展》；
Plaster Buddha Statue on Red Bench joined in Annual Exhibition of Chinese Oil Painting in National Museum of Chinese History;
油画作品《红凳子上的石膏佛像》参加了在北京历史博物馆举办的《中国油画年展》；
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