"Usually there're one or two families who're more reluctant," Greengrass writes in an e-mail.
“通常会有一两个家庭更不情愿。”格林格拉斯在一封电子邮件中写道。
Writer-director Paul Greengrass has gone to great lengths to be respectful in his depiction of what occurred, proceeding with the film only after securing the approval of every victim's family.
编剧兼导演保罗·格林格拉斯竭尽所能地在他的描述中尊重事实，只有在每个受害者的家人都同意的情况下，他才会继续拍摄这部电影。
Its director Paul Greengrass shot several sequences using a handheld camera and then made rapid cuts to create a fast-paced, hectic edit.
导演保罗·格林格拉斯使用手持摄像机跟拍了许多连续镜头，又在不同镜头间使用快速切换来营造快节奏、紧张的效果。
Its director Paul Greengrass shot several sequences using a handheld camera and then made rapid cuts to create a fast-paced, hectic edit.
导演保罗·格林格拉斯使用手持摄像机跟拍了许多连续镜头，又在不同镜头间使用快速切换来营造快节奏、紧张的效果。
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