Recalls Gleis, "There was no camera on the skid."
格雷斯回忆道，“滑道上没有摄像机。”
Client anonymity is Gleis' core responsibility but it is also the series' Achilles heel.
客户匿名是格雷斯的核心责任，也是这个系列的致命要害。
It should be no surprise that Gleis' commercial work appealed to Martin Parr, BPB curator.
格雷斯的商业作品对BPB馆长马丁·帕尔具有吸引力应该不会令人惊讶。
The pilot had landed the chopper, removed and hidden the camera, then returned to witness Gleis' panic.
原来，飞行员降下飞机后，拆除并藏起了摄像机，然后回来看格雷斯的慌恐。
Protective of his art and proud of his technical prowess, Gleis doesn’t want his images used for pure titillation.
为了保护自己的艺术并为自己的超凡技术感到骄傲，格雷斯不希望他的图像用于纯娱乐。
Protective of his art and proud of his technical prowess, Gleis doesn't want his images used for pure titillation.
为了保护自己的艺术并为自己的超凡技术感到骄傲，格雷斯不希望他的图像用于纯娱乐。
Calling for a return to artistic verve, Gleis urges the photographer to do the leg work before clicking the shutter.
格雷斯呼吁恢复艺术活力，力劝摄影师在按下快门之前多准备准备。
While BPB introduced his work to an entirely new, arty audience, it also gave rise to a recurring irritation for Gleis.
布莱顿摄影双年展把他的作品介绍给附庸风雅的全新观众，也反过来刺激了格雷斯。
Gleis' photographs of large private jets are only one subset of his titanium portfolio, but they are by far the most intriguing.
格雷斯大型私人喷气机照片不过是他拍摄的飞机代表作品中一个子集，却是迄今为止最迷人的图集。
For over 30 years, aviation photographer Nick Gleis has shot aircraft for the biggest aviation companies and the wealthiest of private clients.
三十多年来，飞机摄影师尼克·格雷斯一直为最大的航空公司和最富有的私人客户拍摄飞机照片。
Sometimes these assignments require the use of mounts on the outside of aircraft, which has lead to a few interesting situations. Gleis Shared this anecdote.
有时，这些作业需要用到飞机外面的托板，结果出现了一些有趣的情况。
"Far too many new photographers today rely on digital tricks and software to produce technically good images," says Gleis, "but images that neither excite nor inform the viewer."
“如今，许多新摄影师过于依赖数字技巧和软件，从技术上创作出优质图像。”格雷斯说，“可是，这些图像既不能令观众激动，也不能向观众传达准确的信息。”
Gleis also photographs on air-to-air assignments, capturing exterior images of subject aircraft by using chase airplanes such B-25 Bombers, Gulfstream IIIs and IVs and Lear 35s with special optics.
格雷斯也在空中进行拍摄，依靠“B-25轰炸机”、“湾流III和IV”及“李尔王35”这些有特殊光学仪器的追逐机，捕捉目标飞机外部的图像。
Gleis also photographs on air-to-air assignments, capturing exterior images of subject aircraft by using chase airplanes such B-25 Bombers, Gulfstream IIIs and IVs and Lear 35s with special optics.
格雷斯也在空中进行拍摄，依靠“B-25轰炸机”、“湾流III和IV”及“李尔王35”这些有特殊光学仪器的追逐机，捕捉目标飞机外部的图像。
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