Frontality is, however, directly related to the functions of Egyptian statuary and the contexts in which the statues were set up.
然而，正面性是与埃及雕像的功能以及雕像所处的环境直接相关的。
Very often such statues were enclosed in rectangular shrines or wall niches whose only opening was at the front, making it natural for the statue to display frontality.
这些雕像通常被封闭在长方形的神龛或壁龛中，它们唯一的开口在前面，这使得雕像很自然地展现了正面。
The effect is altogether lighter and freer than what achieved in stone, but because both perform the same function, formal wooden and metal statues still display frontality.
比起由石头所制成的雕像，木质雕像和金属雕像总体感觉更加轻巧和灵活，但是因为都有相同的功能，这两种正式的雕像仍然采用了“正面描绘”的展现手法。
The majority of three-dimensional representations, whether standing, seated, or kneeling, exhibit what is called frontality: they face straight ahead, neither twisting nor turning.
大多数的三维雕像，无论是站立的、坐着的还是跪着的，都表现出一种被称为“正面描绘”的特征：它们面向正前方，既不扭曲也不旋转。
I am convinced that frontality is a basic character of all Japanese architecture.
我认为正面性是日本建筑的一个基本特征。
This paper investigates the precise meaning of the term "Frontality" from the perspective of art history.
本文从美术史的视角出发，探究“正面性”这个词的确切含义。
Thus it will be indicated that"Frontality"is an essential prerequisite of "phenomenal transparency"defined by Colin Rowe and Robert Slutzky.
进而指出建筑中“正面性”是科林·罗与罗伯特·斯卢茨基所谓“现象透明性”的重要前提条件。
The effect is altogether lighter and freer than that achieved in stone, but because both perform the same function, formal wooden and metal statues still display frontality.
效果相比于石质雕塑更亮表述也更自如。但是因为都是用于相同的用途，木质的和金属的雕塑依旧是正面描绘的表现形式。
The effect is altogether lighter and freer than that achieved in stone, but because both perform the same function, formal wooden and metal statues still display frontality.
效果相比于石质雕塑更亮表述也更自如。但是因为都是用于相同的用途，木质的和金属的雕塑依旧是正面描绘的表现形式。
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