To us in the West the traditional architecture of China has long had the fascination of the exotic.
对我们在中国的传统建筑学有久有了异国者的魔力西部方面。
The result was neither documentary photography nor a foreigner's fascination with the exotic, just a remarkable individual's engagement with what he saw.
这些作品既不是记实影像也不是一个外国人对异国风光的迷恋，而是一个不同寻常的个人和他所看到的事实之间的约定。
The result was neither documentary photography nor a foreigner's fascination with the exotic, just a remarkable individual's engagement with what he saw.
这些作品既不是记实影像也不是一个外国人对异国风光的迷恋，而是一个不同寻常的个人和他所看到的事实之间的约定。
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