This thesis mainly analyzes the Family trilogy's real essence and essential connotation from the structure of space and time, using the movie narrative theory words.
本文主要利用电影叙事学这一理论话语，从“家庭三部曲”的时空结构入手，剖析电影的真实内核和本质内涵。
The general form of the free energy and its criterion is educed from the energy postulate, and the essential connotation of the free energy and its criterion is discussed.
从能量公设的角度论述了自由能及其判据的普遍化形式，并对其本质内涵进行了讨论。
The general form of the free energy and its criterion is educed from the energy postulate, and the essential connotation of the free energy and its criterion is discussed.
从能量公设的角度论述了自由能及其判据的普遍化形式，并对其本质内涵进行了讨论。
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