That is the main topic of what we have to say about DE Man today.
这是我们今天要说的关于德曼的主要话题。
De Man does not believe this. De Man thinks, on the contrary, that there is such a thing as literariness.
德曼不相信这一点。相反，德曼认为有一种东西叫做文学性。
That is the way in which de Man wants to think about the relationship precisely between literature and other forms of speech.
那就是德曼想要用来思考文学和其他形式的演讲之间的关系的方式。
This is the point that de Man is making in Semiology and Rhetoric that there is a perpetual tension in any utterance between grammar and rhetoric.
德曼在其《符号学与修辞学》中提到,在任何说出的话中语法和修辞间,存在着永恒的对立。
We may think it is the life that makes the autobiography, but de Man wondered if the reverse were true: “the autobiographical project may itself produce and determine the life.”
我们可以认为生活创造了自传，但是保罗德曼却猜想是否将其倒过来说更为准确：“那些自传性的作品可能创造并决定着生活本身。”
So those are some remarks then on the differences and the similarities between DE Man and Derrida.
关于德曼与德里达之间的，不同点和相同点，我要讲的就那些。
The present dissertation is an attempt to introduce, straighten out and evaluate the deconstructive thoughts of American critic Paul DE Man.
本文旨在介绍、清理和评价美国批评家保尔·德曼的解构思路。
The present dissertation is an attempt to introduce, straighten out and evaluate the deconstructive thoughts of American critic Paul DE Man.
本文旨在介绍、清理和评价美国批评家保尔·德曼的解构思路。
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