CJG: I am the large third line.
陈家刚：我是在大三线。
陈家刚：那是一个洗矿池。
CJG: No, their boss is a friend of mine.
陈家刚：没有，他们的老板是我的朋友。
陈家刚：那个不是。
CJG: Right. We have to wait, wait in advance.
陈家刚：对，等啊。提前等。
CJG: I took several hundred, and have chosen about sixty.
陈家刚：几百张吧，现在选出了六十多张。
CJG: I could keep shooting this theme. I want the first phase.
陈家刚：应该讲这个题材还可以拍下去，第一个阶段我要。
CJG: First, I wanted to express melancholy and half-conscious colors.
陈家刚：第一个，因为你要去表达很忧郁的、迷幻的色彩。
CJG: I actually came across a lot of interesting scenarios in the third line.
陈家刚：其实我在三线里面遇到的事情非常非常多。
CJG: There are over sixty color photos, and over twenty black and whites for a total of ninety photos.
陈家刚：彩色的有六十来张，黑白的有二十多张，总共八九十张。
CJG: I can't say for sure. This wasn't something that was planned. No one sets rules on computer wallpaper.
陈家刚：我讲不清楚。这个事情不是谁规定的。电脑的显示屏谁也不会规定它。
CJG: in this life I'll definitely make a film. I'll take my ideas on life and write them down, and then film them with this technique.
陈家刚：这辈子肯定会拍一个电影。因为就是把我想的我这一生的一些事情自己写出来，再按我这种方法拍出来。
CJG: Right, that's just what things are like in China. I think that Ye Shuai's choice of topic was an excellent one – "Deflower and Discard".
陈家刚：对，中国做事情就是，我觉得叶帅这次这个题目很好：始乱终弃。
CJG: It is mostly due to my experience, because ever since college I've always been working my way up, and when I reach a height I slip right back down.
陈家刚：主要跟我的经历有关，因为我从大学毕业以后不断往上走，走到一个高点以后就下滑。
CJG: The emotional side is just one issue. The second issue is that later on I did real estate, and built a lot of high-fashion communities, but later I failed.
陈家刚：情感上的是一个问题，第二个问题是后来我做房地产，建了很多高尚社区，后来房地产又做失败了。
CJG: So I was thinking about an opera in the ruins. All literature is tragedy. The comedy stuff just disappears in a fit of laughter. This stuff of mine is very tragic.
陈家刚：所以我当时想，废墟里面一种歌剧吧，其实所有的文学作品都是悲剧，喜剧嘻嘻哈哈过来的就完了。
CJG: So I was thinking about an opera in the ruins. All literature is tragedy. The comedy stuff just disappears in a fit of laughter. This stuff of mine is very tragic.
陈家刚：所以我当时想，废墟里面一种歌剧吧，其实所有的文学作品都是悲剧，喜剧嘻嘻哈哈过来的就完了。
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