The source of Qu is the core problem of study about relationship of Ci and Qu.
曲源问题是曲学研究中的一个核心问题。
Ci - style was once the popular words of Qu in Sui and Tang Dynasty.
词体在隋唐之际本是合乐而歌的流行曲子；
The family is not only the literary group with the amplest strength in the poetic world of that time but also have a lot of academic attainments in creation of Ci and Qu.
宋氏家族不仅是此际诗坛上实力最雄厚的创作群体，而且词曲创作亦造诣极深。
In this paper, there are the following four chapters: chapter 1, Distinction of concept of Ci and Qu.
本论文主要由以下四部分组成：第一章，词曲概念之辨。
The existing Sanshengtongxie of Song's Ci has always been regarded as Ci, most of which could be regarded as the names of tunes or nearly as the style of Qu.
而现存宋词中三声通押之调历来被视为词者多可以曲牌视之，或近于曲体。
In order to fit in with the new music, the Ci-poem became different and turned into Qu, which is a variant of Ci-poem.
为了适应新的音乐，北曲在旧有词的基础上加以翻造而成。
In order to fit in with the new music, the Ci-poem became different and turned into Qu, which is a variant of Ci-poem.
为了适应新的音乐，北曲在旧有词的基础上加以翻造而成。
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