什么是和弦进行?
Let's go on now to talk about chord progression.
现在让我们继续讨论和弦进行。
Let's move to a four-chord chord progression.
我们接着来看包含四个和弦的和弦进程。
Anybody want to do — what's your understanding of what a chord progression is?
你们是怎么理解和弦进行的?
If I said "chord progression" — I think we have that term up on the board today.
当我说和弦进行,我想今天我在黑板上写过这个词。
Yeah. Well, not just the chord progression but also the structure of the piece.
是啊,嗯,不仅仅是和弦,而且曲子的结构在行进中。
There's a chord progression performance to match every human experience that ever was or ever will be.
会有一个弦进行的演奏匹配于每个人的经验,曾经是或希望是。
The most important thing is that the scales and arpeggios you play are musical and fit the chord progression.
最重要的事情是你演奏的音阶和扫琶音有音乐感并且适合和弦进行。
A chord progression is the movement of one chord to the next. This movement is governed by certain conventions in common practice.
和弦进行是指一个和弦移向另一和弦的运动。这种运动遵循常规。
Try to find great melodies that work over the chord progression you're playing, and the speed will come in time with enough practice.
试着去发现你在演奏时发出的伟大的旋律越,速度在足够的练习后会达到要求的。
For example, most pieces of music begin and end with the same chord, a somewhat mysterious rule which is actually a result of basic chord progression rules.
这里有些概括和有用的乐感原则。例如每一首乐曲都是在同一个和弦开始和结束的。这神秘的规则其实是基本和弦进行的规则。
Well, what I'd like to do now is move here to a couple of additional pieces, and we're going to use an example of pop music now with a three-chord chord progression.
那么,我们现在要做的是再看其他一些音乐,然后我们会用流行音乐的例子来看看三和弦进行。
Yet the Norwegian was, above all, a master of the miniature with a particular ability to convey emotional subtlety within the confines of a single phrase or chord progression.
但是这位挪威作曲家,却拥有着特殊的才能,即使在单一乐句与和弦行进的局限下,也能将细腻的情感浓缩到乐曲当中。
The article is based on his vocals, analysing and researching their harmonic technique and style from the aspects of the chord structure, the harmonic progression, the mode and tonality etc.
本文以他的声乐作品为研究对象,从和弦结构、和声进行、调式调性等侧面来分析、研究其和声技法与风格特点。
This chapter reflects the inheritance of Tchaikovsky's harmony language from these aspects including chord material, harmony progression, mode and tonality of the work.
主要从和弦材料、和声进行、调式调性三个方面体现出柴科夫斯基和声语言中继承性的一面。
This chapter reflects the inheritance of Tchaikovsky's harmony language from these aspects including chord material, harmony progression, mode and tonality of the work.
主要从和弦材料、和声进行、调式调性三个方面体现出柴科夫斯基和声语言中继承性的一面。
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