Chapter III of the Chinese aesthetic in the Context of the daily life of the issue.
第三章探讨了中国语境中的日常生活审美化问题。
Chinese aesthetic has often been likened to "No Style". What do you think about that?
中国的审美观经常和“不够有型”联系起来，你认为呢？
It can be said that they play a positive role on the construction of Chinese aesthetic theory.
可以说，他们在中国美学理论的建构上起到了积极的作用。
Ed Welburn, who visits China four times a year, says a Chinese aesthetic is finding its way into GM designs.
爱德华·威尔本每年要来中国4趟，他说中国审美观念正逐渐融入通用汽车的设计。
Ai Xuan's well-drawn, defined forms demonstrate this classical Chinese aesthetic concern for the rhythm of line.
艾轩精心绘制清晰分明的形象体现出线条节奏这种中国古典美学。
Chinese aesthetic feeling let your passion for houses, every day of their lives let you heart have passionate! 2.
其他说明1。中国式美感让您的对房屋充满热爱，生活的每一天让您心中拥有激昂！
It not only a creative criterion, but also represent Chinese aesthetic character, aesthetic law and aesthetic sense.
它不但是一种创造性的批评，而且表现了审美特征，体现出审美规律，还显现了审美意义。
This thesis mainly research the formation of modern Chinese Aesthetic discipline and important thought scope involved.
本文主要探讨了现代中国美学学科形成以及其中所包含的重要思想论域。
Chinese aesthetic categories have their unique characteristics: from the point view of semiotic forms, they are imagerial;
中国美学范畴有其独特性：从符号形态看，具有象喻性；
The intelligence cultivating function of Chinese aesthetic education includes: promoting students' intelligence and wisdom;
语文审美教育的育智功能有三个方面：一、促进知识的掌握和智慧的增长；
"Sweet" Opera artistes drawn from the corner of the screen to Face as the main artistes, revealing a unique Chinese aesthetic.
《嫣然》取材自京剧花旦一角，画面以花旦脸谱为主体，透露出中国独有的艺术美感。
On the other hand, "complementation of Confucianism and Taoism" expresses personality model of the traditional Chinese aesthetic psychology.
另一方面，“儒道互补”则极好地展示出中国传统审美心理学的人格模式。
This article attempts to explain the aesthetic thought of Wang Guowei from his specific impact on modern Chinese aesthetic in three aspects.
本文试图从王国维对中国美学现代转型具体影响中，对王国维美学思想从三个方面作现代诠释。
The objects are a series of narrative pieces that is a fusion of my Chinese aesthetic with an expressiveness of contemporary life experience.
作品就好比一系列叙事的单件，它们都是我将中国东方美学与对于当代生活表达的融合。
In the mean time, the damage to the traditional Chinese aesthetic culture caused by the advanced science and technology are not to be ignored.
同时，先进的科技对中国传统审美文化的破坏作用亦不容忽视。
Therefore, bring the main forms of Chinese aesthetic feelings, grief and joy are always intermingled, integrated and replenished with each other.
审美情感是一种重要的心理活动，是完美的人格和完美的心理结构不可缺少的因素。
This paper divides into 3 parts , is to study the consciousness of foregrounding Qing mainly from the big background of Chinese aesthetic culture .
本文分三部分，主要是从中国审美文化的大背景下去理解“尚清意识”的文化审美内涵。
Ye Lang emphasizes the position of Dao aesthetics in Chinese aesthetic ideological history, however he neglects the ontology of Confucius aesthetic.
以叶朗为代表的学者强调道家美学在中国美学思想史上的主流地位，忽略了孔子美学本体论的探索。
Meanwhile, the art communication of 'nothing' shows that the 'original nothing theory' and the 'existence theory' of the Chinese aesthetic are dialectically united.
“无”的艺术传达同时也表明，中国美学的“本无论”和“存有论”是辩证统一的。
As a new orientation in the field of literature and aesthetic, the contemporary Chinese aesthetic culture has been greatly focused on and heatedly discussed for long.
一段时期以来，作为当代中国文艺美学研究领域的一个新课题，当代审美文化研究得到了学术界的广泛关注和热烈讨论。
It is the first in the Chinese aesthetic history that Mr. Zong Bai - hua demonstrated the relationship of "Xu - shi" in aesthetic and art from the point of world view.
宗白华先生在中国美学史上第一次把审美与艺术的虚实关系提到宇宙观高度作本体论论证。
Set out from the gustatory particularity and lush culture of Chinese diet, we find that the affinity relationship between gustatory and Chinese aesthetic consciousness.
本文从味觉的特殊性和丰富的中国饮食文化出发，探寻出味觉与中国人的审美意识起源的密切关系。
The following is the characters of the Chinese aesthetic teaching: under the pressure of emotion, the subject of teaching is changed into the subject of judging beauty.
语文审美式教学的主要特征有：教学主体在情感的作用下转化为审美主体；
The Image of Daiyu is a perfect combination of realistic and freehand portrayal, which is another success of ancient Chinese aesthetic principles in the realistic novel.
黛玉形象是写实性和写意性的完美结合，这一形象的创造，是中国古代普遍的审美原则在现实主义小说创作中的又一次成功实践。
As ontology of art and literature, the "visionary world" different from western, it come from Chinese traditional ontology of art and is essential of Chinese aesthetic idea.
“境界”作为艺术本体，它与西方的艺术本体有着不同，它是对中国传统艺术本体的延续，是中国美学思想的结晶。
There is no lack of writings in Chinese aesthetic literature in which these performative aspects of Chinese art are highlighted. We shall talk about them at appropriate times.
在中国美学中，并不缺乏有关中国艺术表演性的书写。我们将在适当的时候谈谈他们。
In truth, one of the most important factors that have led to Chinese literati art's slow or gradual evolution has been the Chinese aesthetic ideal of the "unity of man with nature."
其实，中国文人艺术慢变或渐变，其中最重要的原因之一，便是中国人“天人合一”的审美观念所致。
In truth, one of the most important factors that have led to Chinese literati art's slow or gradual evolution has been the Chinese aesthetic ideal of the "unity of man with nature."
其实，中国文人艺术慢变或渐变，其中最重要的原因之一，便是中国人“天人合一”的审美观念所致。
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