• Willa Cather: a Lost Lady (1923).

    薇拉·凯瑟:aLost Lady一个迷途的女人(1923)。

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  • Willa cather is an eminent American fictionist in the twentieth century.

    威拉·凯瑟是二十世纪美国著名的小说家。

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  • A Wagner Martinee "written by Willa Cather is full of changes of time and space."

    薇拉·凯瑟的短篇小说《瓦格纳日场》中充满了时间和空间的变化。

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  • "The town hasn't done anything wrong in handling this," Cather said, "but can we just not have this happen?"

    “城市在处理此事时没有犯任何错误,”凯瑟说,“但是我们可否仅仅使这样的情况不再发生呢?”

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  • Willa Cather (1873-1947) is famous for her prudent attitude, profound theme and unique technique in her fiction.

    薇拉·凯瑟(1873—1947)严肃认真的写作态度,深刻的主题,高超的技巧是其小说经久不衰的重要原因。

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  • Like many other authors, Cather worked a variety of jobs, from journalist, to teacher, to editor of McClure's magazine.

    从记者到《McClure》杂志的编辑,凯瑟像其他许多作者一样,从事很多工作。

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  • You have just heard the American story "Paul's Case." it was written by Willa Cather. Your storyteller was Kay Gallant.

    您刚才听到的是美国故事“PAUL的案子”,由薇拉·凯瑟编写,凯-格兰特播讲。

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  • Since then, Cather Fort wine heaven in a short time become the representative of two sea areas between the type of wine.

    自此,卡瑟天堂堡的葡萄酒在短时间内即成为两海之间产区的代表型佳酿。

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  • As Antonia returns to the prairie and Jim settles in the east, the conclusion that Cather is not a negative recluse is drawn.

    从安东·妮亚重回大草原,吉姆定居东部城市可见,凯瑟并不是一个消极遁世的人。

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  • In the novel Cather expresses her deep love of the land and her concern for the relationship between the land and our human beings.

    在这部作品中凯瑟抒发对土地的热爱,思考土地与人类的关系。

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  • Much of the criticism of Cather in the past has focused on the primacy of landscape, including the Nebraska plains and New Mexico, in Cather's work.

    过去对凯瑟的批评集中于她那稚嫩的风景上的描写,包括内布拉斯加平原和新墨西哥。

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  • The first part is an introduction to a sketch of the woman Question in history and the literary achievements of Eliot and Cather in woman literature.

    第一部分是引言,简介历史上的妇女问题和艾略特及凯瑟在妇女文学史中所获得的成就。

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  • Cather once said that during the trip from her birthplace in Virginia, she imagined that, "I had left even their spirits [her grandparents] behind me."

    凯瑟曾说,在从自己位于佛吉尼亚的家乡开始的旅行中,她觉得“自己把他们的精神支柱(她的祖父母)放在了自己的后面。”

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  • By doing so, we may know the creative tendency of Willa Cather, she sought for the good tradition of the spiritual beauty, she concerned for social reality.

    这些分析让我们能比较全面的了解凯瑟的创作倾向:追求美好精神传统的理想主义倾向和关注社会的现实主义倾向。

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  • In these two novels, Willa Cather focuses her writing talent on the mythical goddesses who reflect her unconscious of myth and archetypes in human beings' memories.

    凯瑟在这两部作品里所展示的创作才华,向读者呈现了其无意识心理中的人类记忆里的女神原型。

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  • Willa cather is the first woman writer in American literary history who devoted herself to the portrayal of the frontier life of pioneers in the middle west America.

    凯瑟西部拓荒小说的代表作,作者立足于美国西部拓荒者的生活经历,刻画出了以安东妮亚为代表几位具有自立自强勇于奋斗精神的新女性形象。

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  • Cather was the great, elegiac chronicler of the prairies and small towns of the old American west, captured by her just as the coming of railroads changed it forever.

    凯瑟是古老的美国西部小镇和草原挽歌的伟大记录者,她赶在它们即将因铁路的出现而永远改变之际把它们记录了下来。

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  • Cather understood the coming change between cultures; she saw the immigrant children, like antonia, moving away from the culture of their parents and into a kind of uneasy Americanism.

    凯瑟知道要来的文化上的改变;像antonia一样,她看到了侨民们的孩子远离了自己父母的文化,进入了一种让人忧虑的美国精神之中。

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  • Cather understood the coming change between cultures; she saw the immigrant children, like antonia, moving away from the culture of their parents and into a kind of uneasy Americanism.

    凯瑟知道要来的文化上的改变;像antonia一样,她看到了侨民们的孩子远离了自己父母的文化,进入了一种让人忧虑的美国精神之中。

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