• A cylinder brush may be constructed in many sizes with a variety of bristle material in various patterns.

    圆柱刷使用不同的毛材料,可被设计成不同的尺寸,不同的样式。

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  • Material to be bonded after the initial setting, with bamboo and other materials scrape off excess adhesive, then brush the surface of the gap repair.

    待粘接料初凝后,用竹片等将多余的粘接料刮去,再用毛刷修理缝隙表面。

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  • Brush silk material with gold, fiber hairy, bristles, steel wire, copper wire, abrasive silk etc, are a different range of use.

    刷丝材料有尼龙丝,纤维毛,猪鬃,钢丝,铜丝,磨料丝等,分别有不同的使用范围。

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  • Brushing: Small areas on very rough material may be treated using a flat brush or a roller (which may be fed continuously with an airless pump).

    刷涂:小面积粗略的材料可使用毛刷或辊。

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  • Brush + Vacuum cleaning method, no consumable material, no need to interrupt lines.

    毛刷真空清洁方式,无耗材,生产中无需停线。

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  • The point is, if you know the next product requires a thorough manual brush cleaning, don't waste time and material trying to get by with purging.

    假如你知道下一个产品要求彻底的手工清机,那你就不要浪费时间和材料来糊弄清机。

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  • The wear loss of the positive brush was larger than that of the negative brush due to the material transfer.

    同时,由于材料转移等现象的存在,使得正刷的磨损量大于负刷。

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  • What material is used to make a writing brush?

    这两个字不是用毛笔写的。

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  • Construction craft: usable wool brush, uniform saturated used for stone material surface, should smear evenly on the surface, not too little.

    施工工艺:可用羊毛刷,均匀饱和用于石材表面,应均匀涂抹于表面,不可过少。

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  • The third part, elaborated the Chinese modern exquisite brush portrait technique and the material utilization new development.

    第三部分,论述了中国现代工笔肖像画技法与材料运用的新拓展。

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  • New brush holders are to be from Dixie approved material and suppliers only.

    刷架的材料和生产厂家必须是迪克斯指定的。

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  • Such review should make a breakthrough out of inherent concept of Chinese paintings and restore "brush and ink" back to the normal sense of material.

    这些审视需要破除固有的中国画概念,将“笔墨”还给一般意义上的媒材意识;

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  • Such review should make a breakthrough out of inherent concept of Chinese paintings and restore "brush and ink" back to the normal sense of material.

    这些审视需要破除固有的中国画概念,将“笔墨”还给一般意义上的媒材意识;

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