• MacKay first observed this effect on the wallboard of a BBC studio: the broadcasting staff had been annoyed by illusory shadows running up and down blank strips between columns of parallel lines.

    麦凯是在BBC的一个录音室里第一次看到这个效果的:那位正在播音的职员被平行线柱上线条空白间上下跳动的阴影错觉搞得很不耐烦。

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  • Overlap between the local-time shadows in the asynchronous one-way invocation.

    异步单向调用中的本地时间阴影之间的重叠。

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  • Longer shadows are a great way to change the spatial relationship between objects on a page.

    长阴影能极大地改变页面中物体的空间关系。

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  • The in-between stages and styles, such as 5 o 'clock shadows or week-old scruff, are fine for some workplaces and forbidden in others.

    两者中间的状态,比如五点钟阴影的那种八字胡或者一周没修剪的小胡茬,在某些工作场所是可以的,另外一些就不行了。

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  • Our reason is always deceived by fickle shadows ; nothing can fix the finite between the two Infinites , which both enclose and fly from it.

    我们的理性总是被变化无常的阴影所欺骗,没有什么能把两种无限之间相互包含又相互逃避的有限固定下来。

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  • Also gone is the need to deal with the shadows caused by the Spaces between fluorescent lamps.

    同时也不需要处理两盏荧光灯之间产生的阴影了。

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  • To make a big difference between the light and the shadows, I firstly used the Color Balance option to get the basic tones of light and shade.

    为了让受光面和阴影部分有个较大的区分,我首先使用色彩平衡选项来获得光照的基本色调。

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  • There are many visual clues our eyes need to understand the relationship between objects in an image, but one of the most important is shadows.

    我们的眼睛需要许多视觉线索来判断一张画中物体的关系,其中最重要的是阴影。

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  • The darkness of the shadows. Values are between 0 and 1.

    阴影的黑暗程度。取值范围是在0和1之间。

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  • A fire danced into life on the other side of the canvas; large shadows passed between tent and flames.

    一面帆布壁外有火焰跳动起来,庞大的黑影在帐篷与火焰之间晃动。

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  • The softness and shadows of the filtered forest light fosters an intimate relationship between the exterior and the interior.

    柔和斑驳的森林光带动着屋内外的密切联系。

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  • The different look between soft and sharp shadows makes the scene look more fuzzy and realistic.

    阴影间模糊和清晰的对比会使得整个场景看起来朦胧而真实。

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  • The most used variations are those of the red and the green, and these assorted shadows determinate a further relation between past and present, historical references and contemporary aspects.

    他使用的色调主要是红色和绿色,并在此两种颜色的基础上进行深浅变化,如同在过去和现在,在历史与现实之间建立起无数联系。

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  • Tour shadows: Picture shows the shadow of a cyclist on the road during the 14th stage of the 91st Tour DE France cycling race between Carcassonne and Nimes.

    比赛的痕迹:图中为一自行车选手的影子倒映在路上,这是在91届环法自行车赛,位于卡尔卡松市与尼姆市之间的第14赛段。

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  • These shots were taken at the boundary between night and day, capturing shadows that exaggerate the terrain.

    这些镜头取自白昼和黑夜之间的分界线处,找准了夸大地形的阴影。

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  • These walls, via different protruding elements, create overcast shadows more or less important according to the various depths between the panels.

    这些墙体通过不同的突出构件形成了阴影,阴影的多少取决于混凝土板之间的各种深度。

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  • The brain was also capable of distinguishing between shadows cast by its body and those cast by other people.

    大脑还能够辨别自己身体的影子和别人的影子。

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  • The land between the lakes looked the same: on one side, Little Lee , frosty surface glittering in sunlight within a frame of golden reeds, streaked by long blue shadows from snow-laden trees.

    河中间的那片土地看起来还是老样子,河的这一边,金黄色的芦苇的表面结上了霜,在阳光的照射下闪耀着,被厚厚的积雪压着的树投下了长长的影子。

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  • Suddenly, however, she became aware that one of the passing shadows remained stationary between her line of vision and the gleaming asphalt.

    突然她发觉在眼前闪光的柏油路上,一个过路人停在那里不动。

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  • This side Angle will give you soft transfer edges between the highlights and shadows.

    这个侧面的角度会在高光和阴影中给你柔和的边缘转换。

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  • This side Angle will give you soft transfer edges between the highlights and shadows.

    这个侧面的角度会在高光和阴影中给你柔和的边缘转换。

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