Bellotto went on to create many more powerful pictures once he stopped working alongside his uncle and left Venice.
贝罗托在结束和他的叔叔一起工作并离开威尼斯之后，继续创作了更多极有影响力的作品。
"The Campo Santa Maria Formosa" by Canaletto's young nephew, Bernardo Bellotto, shows a square that hasn't changed much since 1742.
贝尔纳多·贝罗托是卡纳莱托的侄子，他的作品“圣玛丽娅福摩撒广场”所展现的广场自1742年以来都没有多大变化。
"The Campo Santa Maria Formosa" by Canaletto's young nephew, Bernardo Bellotto, shows a square that hasn't changed much since 1742.
贝尔纳多·贝罗托是卡纳莱托的侄子，他的作品“圣玛丽娅福摩撒广场”所展现的广场自1742年以来都没有多大变化。
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