Why, when dealing with harmony and bass lines, do I want to start by focusing on popular music and then apply those principles to classical music?
为什么在处理和音和低音线时，我是否需要注重流行音乐，然后将这些原则应用到古典乐上？
It's more obvious because there are probably fewer lines there, so that you can focus on the primary line, the basic line — the bass line.
更明显的是这里也许有几条线，所以你可以将重点放在主线上，基准线，也就是低音线。
In music lessons at my school, we used phrases like Great Britain Doesn't Fear America (it was that kind of school) to remember the notes that correspond to the five lines in the bass clef staff.
我在学校上音乐课时，就用“大不列颠不惧美国”这样的句子来记住五线谱上的音调。
In music lessons at my school, we used phrases like Great Britain Doesn't Fear America (it was that kind of school) to remember the notes that correspond to the five lines in the bass clef staff.
我在学校上音乐课时，就用“大不列颠不惧美国”这样的句子来记住五线谱上的音调。
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