Chapter three analyses the author's multi-artistic techniques and the point out the key effect of jump of time and space as well as multiply point of view on the presentation of athanasia.
第三章分析了金多元化的艺术表现手法，指出时空跳跃和多角度叙述对表现“永生”主题起到的关键作用。
Chapter three analyses the author "s multi-artistic techniques and the point out the key effect of jump of time and space as well as multiply point of view on the presentation of athanasia."
第三章分析了金多元化的艺术表现手法，指出时空跳跃和多角度叙述对表现“永生”主题起到的关键作用。
In ultimate sense, the reason that culture carrier becomes an inevitable existence lies in two thirsts of people: the thirst for athanasia and the thirst to surpass the limitation of substance.
从终极意义上讲，文化载体之所以成为一种无可替代的存在，正是源于人的两种渴望：渴望生命的永恒和渴望对“物”的超越。
In ultimate sense, the reason that culture carrier becomes an inevitable existence lies in two thirsts of people: the thirst for athanasia and the thirst to surpass the limitation of substance.
从终极意义上讲，文化载体之所以成为一种无可替代的存在，正是源于人的两种渴望：渴望生命的永恒和渴望对“物”的超越。
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