A super attendant of the city municipal building, Dillia Adorno, was responsible for presenting its new security plan to the public.
迪莉娅·阿多诺是市政大楼的一名高级服务员，负责向公众介绍新的安保计划。
Adorno, in the meantime, had gone to the United States.
那时阿多诺去了美国。
Then we think of Adorno, who has a unique theory about culture industry.
由此联想到阿多诺，此人有自己独特的文化工业理论。
Adorno was right: running in the street always conveys an impression of terror.
Adorno说得对：在街道上奔跑总会传达出一种恐怖的印象。
Adorno rethinks of the technology and furthers the thought of reason of the tool.
由此阿多诺又对技术中介进行了再次抽象反思，展开对工具理性的思考。
Adorno once made a sharp attack on "culture industry" phenomenon and pop music culture.
本书集中呈现了阿多诺生前对“文化工业”现象和流行音乐文化的尖锐抨击。
In his Aesthetics Theory, Adorno expounds systematically his idea of artistic critique.
阿多诺在其《美学理论》中比较系统地阐述了他的艺术批判思想。
Adorno took the minimum harmony as the supreme pursuit of his theory and ideological exploration.
阿多诺还把最低限度的和谐作为他理论和思想探索的最高追求。
The art philosophy of Adorno occupies an important position in the academic community of the West.
在西方学术界，阿多诺的艺术哲学占有相当重要地位。
This is the truth of Adorno insisted that the artistic aesthetic connotation, that is "flavor" of the non-death of a relative.
这与阿多诺坚持艺术美学的真理性内涵，亦即“韵味”的不可逝性是相对的。
Adorno criticizes the "reasonable" identical form of traditional philosophy, advocating the non-identical form of philosophy that is "humane".
“合乎人”的非同一哲学形态其实是表达了阿多诺对现代哲学使命即现代哲学观的理解。
In fact, as Adorno believes that the effect of the entertainment industry is turning people into objects, the nature of people homeless soul and personality.
事实上，正如阿多诺认为，娱乐工业的效果就是把人变成物，使人之性灵与个性无处安身。
Adorno borrowed some terms from Benjamin, for example: the relations of stars; transformation, natural history and gived these terms new concept and intention.
阿多诺从本雅明那里借用了一些术语用在了自己的思想中，如星从、变移、自然史等，并赋予了这些术语以新的概念和内涵。
The culture industry theory of T. W. Adorno embodies the critical spirit of the Frankfurt School and the integration of philosophical meditation and experiential study.
阿多诺的文化工业理论体现了法兰克福学派一以贯之的批判精神以及哲学思辨与经验研究方法的结合。
Habermas claims that the Critique of instrumental reason which advocated by scholars of early Frankfurt school, such as Max Horkheimer and Theodor Adorno, is a complete failure.
哈贝马斯认为，早期法兰克福学派的理论家霍克·海默和阿多尔诺的“工具理性批判”是失败的。
Though Adorno acknowledges that science and technology creates a massive physical wealth, yet he emphasizes the negative effects of technology rationality and its cultural crisis.
阿多诺尽管承认科学技术创造了巨大的物质财富，但他更强调技术合理性的消极作用及其带来的文化危机。
Similarly, Jesus Adorno was head waiter at le Caprice in 1981 and is now the director; one of the fixtures its customers expect to see, along with the salmon fishcake that has never left the menu.
同样地，Jesus Adorno在1981年曾是“随想曲(LeCaprice)”的领班，现在则是主管；与从未离开过菜单的炸三文鱼饼一样，他也是顾客期望看到的固定不变的事物之一。
Similarly, Jesus Adorno was head waiter at le Caprice in 1981 and is now the director; one of the fixtures its customers expect to see, along with the salmon fishcake that has never left the menu.
同样地，Jesus Adorno在1981年曾是“随想曲(LeCaprice)”的领班，现在则是主管；与从未离开过菜单的炸三文鱼饼一样，他也是顾客期望看到的固定不变的事物之一。
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