从古希腊、古罗马到德国古典美学时期，从苏格拉底、柏拉图到黑格尔、费尔巴哈，他们的观点或理论都有对对话的隐约触及。
From ancient Greece, ancient Rome to the German and classic esthetics period, and from Socrates, Plato to Hegel, Feuerbach, the viewpoints or theories have some relation of the dialogue.
黑格尔认为美学的对象主要是艺术。
克罗齐是康德、黑格尔之后西方影响最大的美学家。
Croce is the most influential aesthetician in the West after Kant and Hegel.
美学应该被理解为艺术哲学，黑格尔关于美的研究不应该在艺术哲学的研究范围内的意见是值得重新思考的。
The article asserts that aesthetics should be thought as the philosophy of art and agrees with the Hegelian insight that the study of beauty is not in its realm.
在黑格尔的美学体系中，自然美是作为理念感性显现的艺术美的低级基础条件而存在的，因为它是绝少受到生气灌注。
In the aesthetic system of Hegel, natural beauty stands as a lower basic condition of artistic beauty, which is the sensible appearance of idea since it rarely gets vigor perfusion.
推销员，“好人缘”哲学，黑格尔性格论，人生美学，悲剧。
Salesman, Philosophy of Being "Well-liked", Hegelian Characterology, the Aesthetics of Life, Tragedy.
黑格尔在《美学》一书中对崇高作了详细阐述，但学界对其崇高思想的关注还远远不够。
Hegel made an elaboration about the lofty in detail in the book Esthetics, but his lofty idea are not paid much attention to in the academic fields.
艺术美范畴是黑格尔《美学》中提出的重要概念。
Artistic beauty area is Hegel's "Aesthetics" the important concepts presented.
在黑格尔哲学体系中，美学占有极为重要的地位。
InHegel's philosophy, the aesthetics occupies a very important position.
黑格尔在《美学》中关于艺术的三段论和罗丹的艺术论都说明：希腊雕塑艺术是承前启后，开辟一个崭新时代的艺术，在艺术史上占有重要地位。
Hegel's syllogism and Rodin's art theory shows that Greek sculpture opened a new era of art and occupied an important position in art history.
黑格尔在《美学》中论及象征型艺术时，以东方艺术作为观照对象，但他对东方艺术存在着明显的误读。
Oriental art is the object of study in Hegel's Aesthetics when he talks about symbolic art in his Aesthetics.
是黑格尔继康德之后，从其“美是理念的感性显现”的哲学、美学思想出发，认识到传统摹仿说的弊端，进而反对摹仿说，提出新观点。
Hegel recognized the drawbacks about the theory of imitation and opposed it, putting forward new viewpoints from his thought that Beauty is the perceptual appearance of ideas after Kant.
许多现代思想家、美学家把黑格尔结束的地方当作自己关于艺术的思考开始的地方。
Many modern thinkers and aestheticians after Hegel start their investigation of art where Hegel ended his discussion.
自黑格尔在柏林的美学讲演中提出艺术终结以来，西方艺术、美学领域对这个问题的关注就没有停止过。
Since Hegel proposed the End of art in his aesthetics lecture in Berlin, the concern with this topic has never stopped in the area of western art and aesthetics.
自黑格尔在柏林的美学讲演中提出艺术终结以来，西方艺术、美学领域对这个问题的关注就没有停止过。
Since Hegel proposed the End of art in his aesthetics lecture in Berlin, the concern with this topic has never stopped in the area of western art and aesthetics.
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