如果说现代主义者如弗吉尼亚·伍尔夫爱好深度和玄学,那么后现代主义者如马丁•艾米斯则偏好表象和讽刺。
If modernists such as Virginia Woolf relished depth and metaphysics, then postmodernists such as Martin Amis favoured surface and irony.
难道马丁。艾米斯就没有写出过好上他三倍的杰作么?
Hasn't Martin Amis written his masterpiece three times already?
许多英国文坛的资深人士都是战后的小孩:马丁·艾米斯(1949)、朱利安·巴恩斯(1946)、伊恩·麦克尤恩(1948)。
Many senior figures of the British literary establishment are postwar babies: Martin Amis (1949), Julian Barnes (1946), and Ian McEwan (1948).
马丁艾米斯喜欢引用朱利安巴尼斯的话说,小说家写“绕”而不是“主题”。
Martin Amis likes to quote Julian Barnes as saying that novelists write "around" their themes rather than "on" them.
马丁·艾米斯的《伦敦场地》创作于新旧世纪交替之际,是一部谋杀小说。
Martin Amis' London Field is a novel of murder at the end of the millennium.
马丁·艾米斯的《伦敦场地》创作于新旧世纪交替之际,是一部谋杀小说。
Martin Amis' London Field is a novel of murder at the end of the millennium.
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