这一时期音乐美学思想也极为活跃。
During this period, musical aesthetic ideas were also very active.
第二章道家音乐美学思想的体现；
The secondeharpter is the embodiment of the Taoists"music aesthetic ideas."
这些构成其音乐美学思想的整体特征。
These constitute the overall characteristics of his musical aesthetics thoughts.
中国的古代音乐美学思想对于近代的中国音乐产生了深远的影响。
The thought of music Aesthetics in ancient China has influenced greatly on Chinese Modem music.
我国的音乐美学思想散见于我国古典的音乐史料和各种文艺作品中。
The thought of music aesthetics can be found in all kinds of Chinese musical materials, literature and art works.
主情思潮音乐思想，是中国古代音乐史上最为合理的音乐美学思想。
Emotionalism music is considered as the most reasonable musical aesthetics in Chinese ancient history of music.
嵇康的音乐美学思想是一个从本体论到欣赏论的思辨性很强的完整体系。
Ji Kang's ideology of music aesthetics is a complete system in the development of this field from ontology to appreciation which is full of dialectics.
本文旨在以“他律”论为主线，对他们的音乐美学思想进行个案与综合研究。
The dissertation focuses on their main influential issue in "Heteronomie", and holds a comprehensive discussion on their Music Aesthetics.
作为一位多元思想交织时期的音乐美学家，他的音乐美学思想具有多解性与多源性。
As a music aesthetician in a period of pluralism, his music aesthetics ideas are with multi-solution and multi-sources.
汉魏六朝赋中的音乐美学思想受儒、道两家思想影响深远，具有明显的儒、道源流。
The musical aesthetics thought of the Han-Wei and Six Dynasties Fu is affected far-reaching by both the Confucian and Taoist thought, with obvious Confucianism and Taoism origins.
孔子音乐美学思想的几个要点都植根于音乐艺术自身的特殊性和当时的音乐文化现象。
The main points of Confucius' aesthetics of music were rooted in the particularity of music and the musical phenomenon of his time.
通过这三个方面，我们可以对里曼音乐美学思想的基本内容有一个较为全面和清晰的把握。
Through these three points, we can have a more comprehensive and clear grasp to the basic contents of Riemann's Musical Aesthetics thoughts.
从一定意义上说，一部中国音乐美学史就是儒道两家音乐美学思想斗争、交融、互补的历史。
In some extent, the history of Chinese music Aesthetics is the history of music Aesthetic thought struggle, thought blend complementarily between Confucianism and Taoism.
本文结合《淮南子》中的音乐美学思想，分析和讨论了音乐审美关系的构建及音乐审美主体的接受差异。
Combining with music aesthetical thoughts of Huainanzi, this article analyzes and discusses the formation of music aesthetical relations and the accepting differences among aesthetic subjects.
音乐的形式和风格作为音乐美学研究中的一个重要课题，其在音乐美学思想的建构中有着特殊的意义和价值。
As an important topic of aesthetical research, the formation and style of music have its significant meaning and value in the music aesthetics.
要想更好地进行中国传统民族音乐的审美活动，就必须对我国传统的音乐美学思想作系统的了解和清楚的认识。
Since very ancient time, the traditional aesthetic ideas in music, a mainstay, has always been dominating and influencing the development of the traditional Chinese national music.
本论文从美学的角度，探讨了19世纪欧洲浪漫主义音乐大师瓦格纳的创作思想、风格以及对后世的影响。
The paper approaches Richard Wagner's, who was the great master of the 19th European romanticism music, artistic ideas, style and its influences to his afterworld from the aesthetics angles.
文章分析了嵇康音乐美学的本体论思想。
This article analyses Ji Kang's ontology on musical aesthetics thought.
本文以现代美学作为审视角度，梳理与研究了嵇康的音乐艺术思想。
This article takes modern aesthetics as its examining angle and closely studies Ji Kang's music and art thought.
在文艺复兴以前，西方音乐美学主要由一些思想家、哲学家从纯理论角度分析研究。
Before the Renaissance, the music aesthetics in the West was mainly studied and analyzed by some thinkers and philosophers as pure theory.
阿多诺的音乐美学是其启蒙辩证法思想在音乐领域的具体运用。
Adorno's aesthetic of music is the specific use of the Dialectics of Enlightenment in the fi eld of music.
迈尔的思想不仅对我们的音乐美学理论研究而且对音乐实践问题都具有很大的启发。
His theory provides many insights not only for musical aesthetic researches but also for musical practices.
它们形成了中国古代二元对立的批评格局，这种格局对于扩充古代整体的音乐哲学美学思想的容量，起到了积极的作用。
They stick to themselves with noc ompromise, which plays an active role in enlarging the amount of ancient Chinese music-philosophy-aesthetics concept.
它们形成了中国古代二元对立的批评格局，这种格局对于扩充古代整体的音乐哲学美学思想的容量，起到了积极的作用。
They stick to themselves with noc ompromise, which plays an active role in enlarging the amount of ancient Chinese music-philosophy-aesthetics concept.
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