本文内容主要有三个部分：第一部分阐述德彪西的钢琴音乐创作风格；
The present thesis is composed of three parts. The first part is concerned with Debussy's creative style of his piano works;
首先，介绍柴科夫斯基的历史地位、生平及其创作分期，并就其音乐创作风格作简要的介绍。
Firstly, introduce the historical status, life and time division of works of Tchaikovsky, and give a brief introduction to his style of music composition.
这一部分通过对他钢琴作品的分析，从中透见其钢琴音乐创作风格由日本音乐风格向中国民族音乐风格的转变。
Through the analysis of his piano works, in this part, one can see clearly the style transfer of his piano musical creation from the Japanese style to the Chinese national musical style.
并对拉威尔的个性化审美趣味以及决定其创作意识的法兰西审美特质进行论述，总结出拉威尔的音乐创作风格及其艺术理念。
Meanwhile, it discusses Ravel's individual esthetic value and the French esthetic feature which gives him music inspiration and summarizes Ravel's music style and his art idea.
赵晓生的钢琴音乐创作经历了三个时期反复的理论和实践，逐步形成了个性化的创作风格。
Zhao Xiaosheng piano music creation has gone through three times repeated the theory and practice, and gradually formed a personalized creation style.
赵晓生的钢琴音乐创作因其作曲家和钢琴家的双重身份而具有个性化的创作风格。
Zhao Xiaosheng 's piano music of its composer and pianist with a double identity and personality of the creation.
赵晓生的钢琴音乐创作因其作曲家和钢琴家的双重身份而具有个性化的创作风格。
Zhao Xiaosheng 's piano music of its composer and pianist with a double identity and personality of the creation.
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