电影将动作分解为一系列静态画面。
他以其所拍摄的静态照片和电影能深入刻画士兵人性而声名远扬。
His work shooting still photography and film was celebrated for how it often captured soldiers 'humanity.
电影以对话开始，然后形成静态图片，接着成了动态图片，最后，我们赋予其情感。
They start with a dialog and then move into pictures. Then they become moving pictures, and finally, we attach feelings to them.
电影观众各具个性的观影行为使静态的、内容丰富的电影文化得以动态地、多姿多彩地展现。
Along with individual enjoying action of different spectator, the film culture having substantial content can be presented manifold from static to dynam-ic.
欣赏并观摩电影，并不仅仅是摄像师的专利，拍摄静态照片的摄影家们，同样可以从中获得许多教益。
Appreciate and watch the film, and not just the patent cameraman, filming static photos of the photographer who can also gain many lessons.
然而，正当电影是对运动的褒扬，和传统艺术形式相比，它也矛盾地把观众推向了静态的新极端。
However, while film as such is a celebration of movement, it paradoxically drives the audience to new extremes of immobility compared to traditional art forms.
传记，电影作品，静态图和预告片。
传记，电影作品，静态图和预告片。
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