雅克布森是第一个吸收皮尔士符号理论的语言学家。
Roman Jakobson, a famous linguist, is the first person that adopts the permian semiotics.
除雅克布森之外，设计师查尔斯和蕾·伊默斯对这一时期的博伊斯也产生了重要影响。
As well as Jacobsen, the designers Charles and Ray Eames play an important role for Boyce at this time.
今天的论文中我们读来很费劲的词汇，一部分是从雅克布森，对暗喻和转喻的理解，我们将会在这方面讲更多。
The vocabulary that we have to wrestle with for today's essay is taken in part from Jakobson's understanding of the relationship between metaphor and metonymy, and we will have more to say about that.
这些椅子零件源自于雅克布森于1955年设计的《3107椅子》，也叫“系列7”椅子，是雅克布森最知名的设计作品。
The parts come from the 3107 Chair, designed in 1955, also known as the 'series 7' chair, perhaps the design for which Jacobsen is best known.
但是，博伊斯雕塑中漂移着的不是卡尔德钟爱的典型抽象形状，而是丹麦建筑师和设计师阿尔尼•雅克布森设计的椅子的零件。
Suspended in Boyce's sculpture, however, are not the distinctly abstract shapes of which Calder was fond, but parts of chairs designed by the Danish architect and designer Arne Jacobsen.
但是，博伊斯雕塑中漂移着的不是卡尔德钟爱的典型抽象形状，而是丹麦建筑师和设计师阿尔尼•雅克布森设计的椅子的零件。
Suspended in Boyce's sculpture, however, are not the distinctly abstract shapes of which Calder was fond, but parts of chairs designed by the Danish architect and designer Arne Jacobsen.
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