迪莉娅·阿多诺是市政大楼的一名高级服务员，负责向公众介绍新的安保计划。
A super attendant of the city municipal building, Dillia Adorno, was responsible for presenting its new security plan to the public.
那时阿多诺去了美国。
在西方学术界，阿多诺的艺术哲学占有相当重要地位。
The art philosophy of Adorno occupies an important position in the academic community of the West.
由此联想到阿多诺，此人有自己独特的文化工业理论。
Then we think of Adorno, who has a unique theory about culture industry.
本论文是对阿多诺的《美学理论》进行的一种文本学解读。
This thesis is a kind of textological interpretation to Adorno's Aesthetic Theory.
在我看来，阿多诺的批判美学对中国当代的画坛意义更大。
In my view, Adorno's critique of contemporary aesthetics of Chinese painting more meaningful.
阿多诺的整个社会批判理论是由批判同一性思维导引出来的。
Adorno's theory was derived from the criticism against the identical thought based on instrumental reason.
阿多诺的大众文化理论是文化理论批评中较具代表性的一种。
Adorno's public culture is a representational kind in culture theory criticism.
阿多诺还把最低限度的和谐作为他理论和思想探索的最高追求。
Adorno took the minimum harmony as the supreme pursuit of his theory and ideological exploration.
阿多诺的音乐美学是其启蒙辩证法思想在音乐领域的具体运用。
Adorno's aesthetic of music is the specific use of the Dialectics of Enlightenment in the fi eld of music.
阿多诺在其《美学理论》中比较系统地阐述了他的艺术批判思想。
In his Aesthetics Theory, Adorno expounds systematically his idea of artistic critique.
由此阿多诺又对技术中介进行了再次抽象反思，展开对工具理性的思考。
Adorno rethinks of the technology and furthers the thought of reason of the tool.
本书集中呈现了阿多诺生前对“文化工业”现象和流行音乐文化的尖锐抨击。
Adorno once made a sharp attack on "culture industry" phenomenon and pop music culture.
这与阿多诺坚持艺术美学的真理性内涵，亦即“韵味”的不可逝性是相对的。
This is the truth of Adorno insisted that the artistic aesthetic connotation, that is "flavor" of the non-death of a relative.
反思阿多诺的理论，绝对的否定缺少与现实的对接，因而难以摆脱自身的限度。
Rethinking Adorno's theory, hardly could we shake off our own limit, without gearing absolute negation and reality.
本文同时具体涉及阿多诺《美学理论》的文本研究问题和个人所持的解读方式。
This paper also discusses textual studies on Adorno's Aesthetic Theory, as well as my personal way of reading it.
“合乎人”的非同一哲学形态其实是表达了阿多诺对现代哲学使命即现代哲学观的理解。
Adorno criticizes the "reasonable" identical form of traditional philosophy, advocating the non-identical form of philosophy that is "humane".
这种关系使我们能够得以理解在阿多诺文化工业批判理论中所形成的辩证法星丛的问题。
The relation lets us understand the dialectical constellations of Adorno's critical theory of culture industry.
事实上，正如阿多诺认为，娱乐工业的效果就是把人变成物，使人之性灵与个性无处安身。
In fact, as Adorno believes that the effect of the entertainment industry is turning people into objects, the nature of people homeless soul and personality.
在第三章，我们从阿多诺所说的“确定性的丧失”切入，着重探讨了艺术的起源与艺术作品。
We begin with "Loss of certainty" and discuss the origin of art as well as art work in chapter 3. Here history and constellation are expounded emphatically.
阿多诺的文化工业理论体现了法兰克福学派一以贯之的批判精神以及哲学思辨与经验研究方法的结合。
The culture industry theory of T. W. Adorno embodies the critical spirit of the Frankfurt School and the integration of philosophical meditation and experiential study.
阿多诺尽管承认科学技术创造了巨大的物质财富，但他更强调技术合理性的消极作用及其带来的文化危机。
Though Adorno acknowledges that science and technology creates a massive physical wealth, yet he emphasizes the negative effects of technology rationality and its cultural crisis.
第四章以阿多诺对贝克特《终局》的解读为例，阐释他对现代主义戏剧的看法，和对存在主义哲学的批判。
The fourth chapter cites Adorno's reading of Beckett's Endgame as an example to interpret his view on modern drama, and the criticism of existentialism philosophy.
从阿多诺非同一性的思维方式入手，展开人与社会、现实与艺术之间的否定辩证法，阐释艺术的社会批判功能。
Starting with his non-identity thinking, it treats of the negative dialectics between people and society, reality and art so as to clarify the social critical function of art.
阿多诺从本雅明那里借用了一些术语用在了自己的思想中，如星从、变移、自然史等，并赋予了这些术语以新的概念和内涵。
Adorno borrowed some terms from Benjamin, for example: the relations of stars; transformation, natural history and gived these terms new concept and intention.
通过对文化工业所持的不同观点，我们很容易看到阿多诺忽略掉的东西，我们应该站在更高的层面对文化工业批判理论进行审视。
By contrasting with others' ideas, we can find some shortcomings about Adorno's theory. We should look at his theory standing a higher point.
笔者认为阿多诺的中介理论与其否定的辩证法思想形成了理论同构关系，这种理论同构关系表现为两者在精神内涵上是相契合的。
The author thinks that Adorno's medium theory and negative dialectic have the same abstract structure. Adorno's philosophical center is negative dialectic.
笔者认为阿多诺的中介理论与其否定的辩证法思想形成了理论同构关系，这种理论同构关系表现为两者在精神内涵上是相契合的。
The author thinks that Adorno's medium theory and negative dialectic have the same abstract structure. Adorno's philosophical center is negative dialectic.
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