我的修改主要集中于重组句子，提高全文的流畅性和节奏感。
Most of my work focused on restructuring specific sentences to improve the essay's overall flow and rhythm.
《要紧的是味道》和《洛·迪斯·弗鲁托》则是内爆句式散文，由无句点句子组成，短语与短语嫁接，形成一种因杂乱地重组起来的节奏模式。
"The Taste is What Counts" and "lo Disfruto" are imploded syntax prose, made up of periods not sentences, where phrase is grafted on to phrase to make intricately recombinant rhythmic patterns.
《要紧的是味道》和《洛·迪斯·弗鲁托》则是内爆句式散文，由无句点句子组成，短语与短语嫁接，形成一种因杂乱地重组起来的节奏模式。
"The Taste is What Counts" and "lo Disfruto" are imploded syntax prose, made up of periods not sentences, where phrase is grafted on to phrase to make intricately recombinant rhythmic patterns.
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