这项工作（就像理论讨论戏剧“真实性”、“bienseance”和悲剧和喜剧的本质）强调需要道德效用。
This work (much like theoretical discussions on theatrical " vraisemblance ", "bienséance" and the nature of tragedy and comedy) stressed the need for moral utility.
不论是巧合与否，这两个角色有许多共同之处：他们都在道德上模糊不清，介乎喜剧与令人生厌的角色之间。
Coincidentally or not, these two characters have a lot in common: They're both morally ambiguous individuals that toe the line between comedic and off-putting.
现在新的研究得出结论：喜剧的一个关键因素就是让事情违反某种道德标准，但是这种违反是很轻微的。
Now, new research concludes that one key to comedy is for a situation to violate a moral standard, but in a gentle way.
李渔出于道德和喜剧双方面的考虑，在吸取前辈写作经验的基础上创造出了完全符合他自己创作意图的叙事方式。
Based on both moral and comedy considerations, Li Yu created a narrative perfectly with his own intentions in drawing on the basis of previous experience.
李渔出于道德和喜剧双方面的考虑，在吸取前辈写作经验的基础上创造出了完全符合他自己创作意图的叙事方式。
Based on both moral and comedy considerations, Li Yu created a narrative perfectly with his own intentions in drawing on the basis of previous experience.
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