正因为偏向于绘画，所以类似绘画中的透视、错觉等等表现手法，都被广泛地应用在浅浮雕的作品中。
Because of bias in the painting, so a similar perspective, the illusion of painting technique of expression, and so on, have been widely applied in shallow relief work.
同时，建筑装饰纹样大多为有机体，对物象的表现往往非基于焦点透视，而是具有恒常性的特征。
At the same time, Building decorative patterns mostly is an organism, to thing performance often must based on focus perspective, but has constant the characteristic.
为了表现出对象的空间感，浮雕使用绘画中透视法来表现三维空间。
To show that the object, the dimensional feeling of relief use paintings of perspective to represent the three dimensional space.
因此，我们不必用透视法来苛求用皴、点与重迭法来表现物象空间距离——“深度”的中国画。
Therefore, we do not have to use perspective to expect with Cun, the points of overlap and show images from space - the "depth" of Chinese painting.
南阳汉画像石在散点透视、以线造型和意象造型三个方面具有独特的艺术表现。
There are three distinctive artistic expressions of the Nanyang Han Dynasty's stone reliefs:scattering perspective, modelling with lines, modelling with images.
构图不受时间、空间的限制，也不受焦点透视的束缚，具有独特的空间认识和空间表现。
The composition does not place restrictions on time and space. It is also not fettered by the focal point perspective. It has its own space cognition and expression.
故乡的山，故乡的水，故乡的房子…用中国画的表现手法，一种透视弱化的手法，表现故乡那些具体与不具体的美丽景色！
Mountains of my hometown, rivers of my hometown, houses of my hometown……I love to express its concrete or abstract beauty, by Chinese painting as well as a perspective and weakening technique.
诗歌创作需要掌握一些绘画的表现技法，诸如构图、着色、透视、层次安排、线条疏密、色彩冷暖、浓淡、流动等。
Poetry writing requires some techniques of drawing, such as the composition of pictures, coloring, perspective arrangement, density of lines, cold or warm colors, shades, flowing, etc.
视角转换是电视叙事透视人物行动的角度，是从两三个视点，从不同的角度来表现人物。
The conversion of angle of view can depict the characters from different points of view and angles.
写实风格的关键是在画面中体现统一的、明确的空间关系，正确运用光影、透视等因素加强客观的造型、色彩、质感等的表现。
The main point of background space sketch class is directly uses them in it. The key of practical style is manifests the unification and the explicit spatial relations in the picture.
为了表现真正的美，艺术家锲而不舍地钻研油画语言，深入且有系统地了解颜色、构图、技法、光影、透视法、材料等方面。
To unveil genuine beauty, Yan set out his exhaustive, methodical inquisition into the language of oils as represented by color, composition, dexterity, light and shadow, perspective, and materials.
画中光线与空间处理十分得宜，展现了作者透视法的表现功力。
The way light and space are handled with competency in the painting shows the artist's fine perspective technique.
画中光线与空间处理十分得宜，展现了作者透视法的表现功力。
The way light and space are handled with competency in the painting shows the artist's fine perspective technique.
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