教会的权力是所有这些作家回归的一个主题。
The power of the church is one theme all these writers return to.
然而,总的来说,这些作家对直觉缺乏理解。
In general, however, such writers display a poor grasp of what intuition is.
卡内尔认为,贝汉对这些作家和戏剧定义悲剧性质的方式持怀疑态度。
Carnell argues that Behan took issue with the way in which these writers and plays defined the nature of tragedy.
这些作家代表了一个充满活力的社区,由于其成员有着不同的历史、立场、期望和信仰,这个社区必须经过不断的协商和再协商。
These writers represent community as dynamic, as something that must be negotiated and renegotiated because of its members' divergent histories, positions, expectations, and beliefs.
选择这些作家的标准在一开始就不透明。
And the criteria by which those authors are chosen in the first place are opaque.
这些作家首先是诗人,然后才是剧作家。
这些作家独自构成第二个也是最重要的个群体。
The writer, all alone, forms the second and most important group.
在这些作家中挑两个出来回顾其主要作品就可了解原因了。
A review of two of these writers' major works will reveal why.
那个新的世界是令我们关注这些作家的另一个原因。
That new world is another reason to pay heed to these writers.
我们将特别注重两个挑战,这些作家或修订的启示中心思想。
We'll focus particularly on two central ideas of the Enlightenment that these writers challenged or revised.
因此,每一个这些作家们都声称我们需要思考我们正在做什么。
So, each of these writers claims that we need to think about what we are doing.
与此同时,这些作家打破了当前关于大型动物灭绝辩论的僵局。
At the same time, these authors have broken the current deadlock in the great megafaunal extinction debate.
许多这些作家没有区分体质严格本质和体质作为必要或自然相伴。
Many of these writers failed to distinguish between corporeity in strict essence and corporeity as a necessary or natural concomitant.
可剩下来的事情,就都是由我们这些作家政主管的妈妈们来掌管了。
简单的回答是我觉得这些作家极洽当地,代表了1945年以来美国小说中的,各种主题和力量。
The short answer is that I think these writers best represent all the different threads, all the different forces in the American Novel Since 1945.
这些作家从格罗提乌斯思想的幼芽中开出的花朵和结成的果实,我可以举出许多例证。
AS to the bloom and fruitage evolved by these writers out of the germ ideAS of Grotius I might give many examples.
这些作家高举“为艺术而艺术”的旗帜,在中国现代文坛掀起了一股唯美主义文学思潮。
They hold high "it is art but art" flag and raise whiffs of aestheticism literature ideological trend at the Chinese modem literary world.
在每一个研究案例中,他们都发现了这些作家在使用新词的频率上有着各自规律且独特的模式。
In each case, they found a regular, and distinct, pattern of how frequently each writer used new words.
我所介绍的这些作家们有些喜欢每天写上一定数量的字数或者页数,有一些只乐意写一页甚至一句。
Some like to write a certain number of words or pages every day, others were happy to write a page or a sentence.
我们往往将这类正面的感受,与其他一些喜爱的作家相联系,这些作家千差万别,例如莎士比亚和佛吉尼亚·伍尔夫。
Those are the categories of value that we tend to associate or to affiliate with our other favorite writers, writers as diverse as Shakespeare and Virginia Woolf, for example.
解决的办法是这些作家们不能仅仅只卖电子书,他们还要卖未删节的版本,笔记、短篇小说、有声版本,文选等等。
The solution for authors is to sell more than just the book. They sell the uncut version, or the notes, the shorts, an audio version, an anthology, etc.
解决的办法是这些作家们不能仅仅只卖电子书,他们还要卖未删节的版本,笔记、短篇小说、有声版本,文选等等。
The solution for authors is to sell more than just the book. They sell the uncut version, or the notes, the shorts, an audio version, an anthology, etc.
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